I'm Not Supposed To Love You Anymore by Bryan White

Hey Rosetta! - Yer Spring

http://vimeo.com/m/20471084

It's an understated but upbeat song. The video just makes me happy. :-)

Hammock - Kenotic
 

Heavenly Day (Patty Griffin)
 

Emily Jane White I A Pocket Party Bis
 

Alejandro Sanz - Lola Soledad
 

Genesis...

I really appreciate your playlist...

"Happy" by Pharell Williams....you cannot sit still when this song plays...I'm getting used to the stares as I dance while I drive....

美空ひばり『ロカビリー芸者』Hibari Misora: Rockabilly Geisha
 

チャラン・ポ・ランタンと愉快なカンカンバルカン『ムスタファ』Charan Po
 

Charan Po Rantan and Yukai Na Kankanbarukan: Musutafa

TOKYO No.1 SOUL SET＋紗羅マリー / 接吻（fromAL「全て光」）
 

Cocco『靴下の秘密（デモ）』Cocco: Kutsushita No Himitsu (demo)
 

Cocco　花うた
 

研ナオコ『かもめはかもめ』Naoko Ken: Kamome Kamome
 

YANN TOMITA - Patrol of the Saturn (live 1987)
 

Isao Tomita - Arabesque No. 1
 

Tomita - Stravinsky - Firebird - Round of the Princesses
 

Chris Clark Motown "From Head To Toe"
 

Poncho Sanchez - Watermelon Man
 

Burnin' B-3 Tony Monaco Salutes Organ Legend Jimmy Smith
 

Jimmy's Walk - Barbara Dennerlein on Hammond B3
 

Echo The Bunnymen Lips Like Sugar

Siouxsie & the Banshees - Kiss Them For Me

Frankie Goes To Hollywood - Relax

Oliver Nelson - Stolen Moments
 

From the album, The Blues and the Abstract Truth



From Wikipedia:

The Blues and the Abstract Truth is a jazz album by American jazz saxophonist Oliver Nelson recorded in February 1961. It remains Nelson's most acclaimed album and features a lineup of notable musicians: Freddie Hubbard, Eric Dolphy (his second-to-last appearance on a Nelson album following a series of collaborations recorded for Prestige), Bill Evans (his only appearance with Nelson), Paul Chambers and Roy Haynes. Baritone saxophonist George Barrow does not take solos, but still remains a key feature in the subtle voicings of Nelson's arrangements.

The album is an exploration of the mood and structure of the blues, though only some of the tracks are structured in the conventional 12-bar blues form. In this regard, it may be seen as a continuation of the trend towards greater harmonic simplicity and subtlety via reimagined versions of the blues that was instigated by Miles Davis's Kind of Blue in 1959 (Evans and Chambers played on both albums).

Among the pieces on the album, "Stolen Moments" is the best known: a sixteen-bar piece in an eight-six-two pattern, even though the solos are in a conventional 12-bar minor-key blues structure in C minor. "Hoe-Down" is built on a forty-four-bar structure (with thirty-two-bar solos based on "rhythm changes"). "Cascades" modifies the traditional 32-bar AABA form by using a 16-bar minor blues for the A section, stretching the form to a total of 56 bars. The B-side of the album contains three tracks that hew closer to the 12-bar form: "Yearnin'", "Butch and Butch" and "Teenie's Blues" (which opens with two 12-bar choruses of bass solo by Chambers).

Nelson's later album, More Blues and the Abstract Truth (1964), features an entirely different (and larger) group of musicians and bears little resemblance to this record.

Click the link for more: http://en.wikipedia.org/wiki/The_Blu...Abstract_Truth

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Brass Goggles by Steam Powered Giraffe. I love this band.

Ne-Yo - She Got Her Own ft. Jamie Foxx

Ne-Yo - Miss Independent

Run DMC & Aerosmith - Walk This Way
 

Feeling Groovy
 

Call Me Al
 

Dave Bruebeck Quartet - Koto Song