I notice you immediately

‘Cause you smell like reckless danger

Mixed with narcissism and whisky

And that’s my favorite scent.



You’re a skilled trickster

A magician

A snake charmer

And within six seconds, I’m begging you to bite me

Double-dog daring your fangs to slice into my vulnerability.



And so you do.



I say this makes me sexy and powerful, but really—

It slays me so subtly that I miss my own slow-motion death.



Your venom slips deep, deep, then deeper,

Making me lose my shit.



I breathe you in

And I lose my shit.



This is not love.



This is fucked up,

This is fucking,

But, this is not love.



My dark darling, you’ve burned me to the ground again.



We dive too deep, consumed with passionate pain

Revealing everything

Hiding everything

Hurting each other is half the fun.



A fierce game of Russian roulette

A relentless power struggle

My bleeding heart splits open—

But, hurting each other is half the fun.



My dark darling, you’ve burned me to the ground again.



Thrilling games like these have a price:

A thousand dollars per second

To prostitute my tender heart

To your hungry soul.



Within weeks, I’m sucked dry as a desert,

As your sparkling fangs scan for a new, juicy prey.

I’m exhausted and empty,

As you leave me behind, a shattered survivor of your recklessness.



I’m done.



My dark darling, I loved you because I hated myself.



I’m done.



But, I thank you for burning me down,

Because I came back from that fiery death

To fly into the fierce winds of freedom

And soar.



Yes, I’m learning to love myself

So I can soar.



Goodbye dark darling,

You’re but a terrible nightmare.

It’s my time now,

And I plan to fucking soar!

Author: Sarah Harvey

Most Like an Arch This Marriage

By John Ciardi


Most like an arch—an entrance which upholds

and shores the stone-crush up the air like lace.

Mass made idea, and idea held in place.

A lock in time. Inside half-heaven unfolds.


Most like an arch—two weaknesses that lean

into a strength. Two fallings become firm.

Two joined abeyances become a term

naming the fact that teaches fact to mean.


Not quite that? Not much less. World as it is,

what’s strong and separate falters. All I do

at piling stone on stone apart from you

is roofless around nothing. Till we kiss


I am no more than upright and unset.

It is by falling in and in we make

the all-bearing point, for one another’s sake,

in faultless failing, raised by our own weight.

Let Me Love You One Day At A Time


Let me love you one day at a time, and please love me that very same way. We may never learn all there is to know about love, but every day together will teach us a little more about ourselves and the special kind of happiness we can bring to each other. One of the best things you've helped me learn is that love starts with being honest, speaking straight from how we really feel. I like how we've opened doors, and windows of our lives and invited each other to come in, look around and get aquainted. The more I'm with you, the more at home I feel. Let me love you one day at a time.

Why talk about "always" and say things we're not sure we mean, when we can talk about today and mean exactly what we say. Let's think of each sunrise as a fresh start, a brand new beginning... and try to fill each day with as much love as it can hold. I know you're not always going to be exactly the same person Sunday thru Saturday, January thru December, and neither am I. We both need laughing times and crying times... and time for every mood in between. The important thing is that you can be the kind of you that feels most natural and that I can be my most favorite kind of me. That's what makes us so comfortable together... it's also what keeps us from taking too much for granted. Let me love you one day at a time.

Let's not wonder how long love will last but how beautiful we can make it grow. Let's give our best to each other but, let's never expect miracles of our love. There's no need to... the reality of you and me is better than all the impossible dreams and fantasies I've ever imagined. Being with you is feeling proud, blessed, grateful for each hour we share. Let me love you, not according to any how-to-book, or by someone else's set of rules... but simply for who you are and how you are with me. And please love me, not for what I might be molded into, but for what I am here and now. Don't expect me to be someone all good and all giving, someone who could never disappoint you... someone to right to be real and too perfect to be me. I'm just as human as anyone I know... and very thankful that you are too. Let's try to remember that love means keeping in touch with each other's thoughts and feelings... listening not just to words, but to the emotions behind them... seeing, not just the smiles and frowns but the hurt and pleasures that cause them.

Let me love you one day at a time, starting today. Let's have the courage to try to change whatever needs changing about us, and wisdom to know what should never be changed. Believing in ourselves and in our ability to handle whatever tomorrow brings... and trusting that this love we share will continue to grow stronger as the future years unfold... One Beautiful Day At A Time.

The Hunter's Song At Nightfall
~Goethe



My rifle cocked, in savage calm
I prowl the moorland here,
Your face before me everywhere,
Your vivid face, my dear.

You strolled, I'm sure, a sweeter field
In sweeter calm today.
No thought of me, or such a thought
As girls can shrug away.

No thought of one who, vexed and glum,
Has all the world to track.
The roads go east, the roads go west,
But not a road goes back.

And yet to think of you...such peace
Around me settles soon
As if I'm puzzled how my gaze
Were spellbound on the moon. :moonstars:

Love Poems to God, II, 22

You are the future,

the red sky before sunrise

over the fields of time.

You are the cock's crow when night is done,

you are the dew and the bells of matins,

maiden, stranger, mother, death.

You create yourself in ever-changing shapes

that rise from the stuff of our days---

unsung, unmourned, undescribed,

like a forest we never knew.

You are the deep innerness of all things,

the last word that can never be spoken.

To each of us you reveal yourself

differently:

to the ship as coastline, to the shore as a

ship.

--Rainier Maria Rilke

The Tailor

Listening to the silent words, spoken yet not
The tailor pauses--a tender thought playing to his lips
His hands traveling--reaching skyward toward the worn patches of colored hue
His fingers opening--as the dainty embellishment's, and textures flow through
Behold the tapestry of loving tears, he feels it

Feeling the gentle embrace, touching yet not
The tailor pauses--a tender thought playing to his lips
His ears drinking--reaching skyward the fabric swirls and collides against his skin
His skin absorbing--as the silken strands tickle and echo
Behold the tapestry of loving tears, he hears it

The tailor stands within the tapestry
As he pauses a tender thought plays to his lips
Smiling, he gently enfolds himself
The tailor knows his work is secure
For the threads woven in love are unbreakable.

Make tomorrow's dawn the brightest moment of today.
In that--Tears of love are shed.

-Lyrical (a random poet I know)

SEA-CHANGE~
Genevieve Taggard





You are no more, but sunken in a sea
Sheer into dream, ten thousand leagues, you fell;
And now you lie green-golden, while a bell
Swings with the tide, my heart; and all is well
Till I look down, and wavering, the spell-
Your loveliness - returns. There in the sea,
Where you lie amber-pale and coral-cool,
You are most loved, most lost, most beautiful.

You Learn
 

MAN AND SEA~🐋~
Charles Baudelaire



Man, a free man, always loves the sea
and in its endlessly unrolling surge
will contemplate his soul as in a glass
where gulfs as bitter gape within his mind.

Into this image of himself he dives,
his arms and eyes wide open and his heart
sometimes diverted from its own dead march
by the tides of that untamable complaint.

How grim their combat, and yet how discreet
-who has sounded to its depths the human heart?
and who has plucked its riches from the sea?
-so jealously they guard their secrets, both!

Countless the ages past and still to come
in which they wage their unrelenting war
for sheer delight in carnage and in death,
implacable brothers and eternal foes.

I Have Found What You Are Like - e.e. cummings


i have found what you are like
the rain,

(Who feathers frightened fields
with the superior dust-of-sleep. wields

easily the pale club of the wind
and swirled justly souls of flower strike

the air in utterable coolness

deeds of green thrilling light
with thinned

newfragile yellows

lurch and.press

-in the woods
which
stutter
and

sing

And the coolness of your smile is
stirring of birds between my arms;but
i should rather than anything
have (almost when hugeness will shut
quietly) almost,
your kiss

of likely hearts
 

“For love is a celestial harmony
Of likely hearts compos'd of stars' concent,
Which join together in sweet sympathy,
To work each other's joy and true content,
Which they have harbour'd since their first descent
Out of their heavenly bowers, where they did see
And know each other here belov'd to be.”
― Edmund Spenser, Fowre Hymnes

“How should we like it were stars to burn
With a passion for us we could not return?
If equal affection cannot be,
Let the more loving one be me.”

― W.H. Auden

http://peacefulrivers.homestead.com/CathedralRock.JPG

The minute I heard my first love story,


I started looking for you, not knowing

how blind that was.

Lovers don't finally meet somewhere,

they're in each other all along.



[From Essential Rumi

by Coleman Barks]

The Summons.

I can not bow to woo thee
With honey words and flower kisses
And the dew of sweet half-truths
Fallen on the grass of old quaint love-tales
Of broidered days foredone.
Nor in the murmurous twilight
May I sit below thee,
Worshiping in whispers
Tremulous as far-heard bells.
All these things have I known once
And passed
In that gay youth I had but yester-year.
And that is gone
As the shadow of wind.
Nay, I can not woo thee thus;
But as I am ever swept upward
To the centre of all truth
So must I bear thee with me
Rapt into this great involving flame,
Calling ever from the midst thereof,
"Follow! Follow!"
And in the glory of our meeting
Shall the power be reborn.
And together in the midst of this power
Must we, each outstriving each,
Cry eternally:
"I come, go thou yet further."
And again, "Follow,"
For we may not tarry.

- Ezra Pound

"When the sweet glance of my true love caught my eyes,

Like alchemy, it transformed my copper-like soul.

I searched for Him with a thousand hands,

He stretched out His arms and clutched my feet"

[From Thief of Sleep
by Shahram Shiva]

A Touch, A Tear, A Tempest


“Tomorrow came
with the illusion of today
even more fleeting than yesterday

it came
like it always comes

and went
like it’s always gone

like a favorite song
in its final seconds

Tomorrow came and left
leaving nothing
nothing...
but a familiar
lingering
sense of loss behind.”

― Sanober Khan

A Thing of Beauty is a Joy Forever

A thing of beauty is a joy for ever:
Its loveliness increases; it will never
Pass into nothingness; but still will keep
A bower quiet for us, and a sleep
Full of sweet dreams, and health, and quiet breathing.
Therefore, on every morrow, are we wreathing
A flowery band to bind us to the earth,
Spite of despondence, of the inhuman dearth
Of noble natures, of the gloomy days,
Of all the unhealthy and o'er-darkened ways
Made for our searching: yes, in spite of all,
Some shape of beauty moves away the pall
From our dark spirits. Such the sun, the moon,
Trees old, and young, sprouting a shady boon
For simple sheep; and such are daffodils
With the green world they live in; and clear rills
That for themselves a cooling covert make
'Gainst the hot season; the mid-forest brake,
Rich with a sprinkling of fair musk-rose blooms:
And such too is the grandeur of the dooms
We have imagined for the mighty dead;
All lovely tales that we have heard or read:
An endless fountain of immortal drink,
Pouring unto us from the heaven's brink.

Nor do we merely feel these essences
For one short hour; no, even as the trees
That whisper round a temple become soon
Dear as the temple's self, so does the moon,
The passion poesy, glories infinite,
Haunt us till they become a cheering light
Unto our souls, and bound to us so fast
That, whether there be shine or gloom o'ercast,
They always must be with us, or we die.

Therefore, 'tis with full happiness that I
Will trace the story of Endymion.
The very music of the name has gone
Into my being, and each pleasant scene
Is growing fresh before me as the green
Of our own valleys: so I will begin
Now while I cannot hear the city's din;
Now while the early budders are just new,
And run in mazes of the youngest hue
About old forests; while the willow trails
Its delicate amber; and the dairy pails
Bring home increase of milk. And, as the year
Grows lush in juicy stalks, I'll smoothly steer
My little boat, for many quiet hours,
With streams that deepen freshly into bowers.
Many and many a verse I hope to write,
Before the daisies, vermeil rimmed and white,
Hide in deep herbage; and ere yet the bees
Hum about globes of clover and sweet peas,
I must be near the middle of my story.
O may no wintry season, bare and hoary,
See it half finished: but let Autumn bold,
With universal tinge of sober gold,
Be all about me when I make an end!
And now at once, adventuresome, I send
My herald thought into a wilderness:
There let its trumpet blow, and quickly dress
My uncertain path with green, that I may speed
Easily onward, thorough flowers and weed.

- Keats

I Always See You

You aren't physically here with me
but I always see you.
I see you every morning
because you're my sunshine.
I see you every afternoon
because you're my dream during my nap.
I see you every evening
because you're my sunset.
And I see you every night
because you're my blanket of stars.

- Anonymous

You, Therefore


You are like me, you will die too, but not today:

you, incommensurate, therefore the hours shine:

if I say to you “To you I say,” you have not been

set to music, or broadcast live on the ghost

radio, may never be an oil painting or

Old Master’s charcoal sketch: you are

a concordance of person, number, voice,

and place, strawberries spread through your name

as if it were budding shrubs, how you remind me

of some spring, the waters as cool and clear

(late rain clings to your leaves, shaken by light wind),

which is where you occur in grassy moonlight:

and you are a lily, an aster, white trillium

or viburnum, by all rights mine, white star

in the meadow sky, the snow still arriving

from its earthwards journeys, here where there is

no snow (I dreamed the snow was you,

when there was snow), you are my right,

have come to be my night (your body takes on

the dimensions of sleep, the shape of sleep

becomes you): and you fall from the sky

with several flowers, words spill from your mouth

in waves, your lips taste like the sea, salt-sweet (trees

and seas have flown away, I call it

loving you): home is nowhere, therefore you,

a kind of dwell and welcome, song after all,

and free of any eden we can name


- Reginald Shepherd

[love is more thicker than forget]


love is more thicker than forget

more thinner than recall

more seldom than a wave is wet

more frequent than to fail


it is most mad and moonly

and less it shall unbe

than all the sea which only

is deeper than the sea


love is less always than to win

less never than alive

less bigger than the least begin

less littler than forgive


it is most sane and sunly

and more it cannot die

than all the sky which only

is higher than the sky


- E. E. Cummings

The Witch of Coos
By Robert Frost

Circa 1922

I STAID the night for shelter at a farm
Behind the mountain, with a mother and son,
Two old-believers. They did all the talking.

The Mother
Folks think a witch who has familiar spirits
She could call up to pass a winter evening, 5
But won’t, should be burned at the stake or something.
Summoning spirits isn’t “Button, button,
Who’s got the button,” you’re to understand.
The Son
Mother can make a common table rear
And kick with two legs like an army mule. 10
The Mother
And when I’ve done it, what good have I done?
Rather than tip a table for you, let me
Tell you what Ralle the Sioux Control once told me.
He said the dead had souls, but when I asked him
How that could be—I thought the dead were souls, 15
He broke my trance. Don’t that make you suspicious
That there’s something the dead are keeping back?
Yes, there’s something the dead are keeping back.
The Son
You wouldn’t want to tell him what we have
Up attic, mother? 20
The Mother
Bones—a skeleton.
The Son
But the headboard of mother’s bed is pushed
Against the attic door: the door is nailed.
It’s harmless. Mother hears it in the night
Halting perplexed behind the barrier 25
Of door and headboard. Where it wants to get
Is back into the cellar where it came from.
The Mother
We’ll never let them, will we, son? We’ll never!
The Son
It left the cellar forty years ago
And carried itself like a pile of dishes 30
Up one flight from the cellar to the kitchen,
Another from the kitchen to the bedroom,
Another from the bedroom to the attic,
Right past both father and mother, and neither stopped it.
Father had gone upstairs; mother was downstairs. 35
I was a baby: I don’t know where I was.
The Mother
The only fault my husband found with me—
I went to sleep before I went to bed,
Especially in winter when the bed
Might just as well be ice and the clothes snow. 40
The night the bones came up the cellar-stairs
Toffile had gone to bed alone and left me,
But left an open door to cool the room off
So as to sort of turn me out of it.
I was just coming to myself enough 45
To wonder where the cold was coming from,
When I heard Toffile upstairs in the bedroom
And thought I heard him downstairs in the cellar.
The board we had laid down to walk dry-shod on
When there was water in the cellar in spring 50
Struck the hard cellar bottom. And then someone
Began the stairs, two footsteps for each step,
The way a man with one leg and a crutch,
Or little child, comes up. It wasn’t Toffile:
It wasn’t anyone who could be there. 55
The bulkhead double-doors were double-locked
And swollen tight and buried under snow.
The cellar windows were banked up with sawdust
And swollen tight and buried under snow.
It was the bones. I knew them—and good reason. 60
My first impulse was to get to the knob
And hold the door. But the bones didn’t try
The door; they halted helpless on the landing,
Waiting for things to happen in their favor.
The faintest restless rustling ran all through them. 65
I never could have done the thing I did
If the wish hadn’t been too strong in me
To see how they were mounted for this walk.
I had a vision of them put together
Not like a man, but like a chandelier. 70
So suddenly I flung the door wide on him.
A moment he stood balancing with emotion,
And all but lost himself. (A tongue of fire
Flashed out and licked along his upper teeth.
Smoke rolled inside the sockets of his eyes.) 75
Then he came at me with one hand outstretched,
The way he did in life once; but this time
I struck the hand off brittle on the floor,
And fell back from him on the floor myself.
The finger-pieces slid in all directions. 80
(Where did I see one of those pieces lately?
Hand me my button-box—it must be there.)

I sat up on the floor and shouted, “Toffile,
It’s coming up to you.” It had its choice
Of the door to the cellar or the hall. 85
It took the hall door for the novelty,
And set off briskly for so slow a thing,
Still going every which way in the joints, though,
So that it looked like lightning or a scribble,
From the slap I had just now given its hand. 90
I listened till it almost climbed the stairs
From the hall to the only finished bedroom,
Before I got up to do anything;
Then ran and shouted, “Shut the bedroom door,
Toffile, for my sake!” “Company,” he said, 95
“Don’t make me get up; I’m too warm in bed.”
So lying forward weakly on the handrail
I pushed myself upstairs, and in the light
(The kitchen had been dark) I had to own
I could see nothing. “Toffile, I don’t see it. 100
It’s with us in the room, though. It’s the bones.”
“What bones?” “The cellar bones—out of the grave.”

That made him throw his bare legs out of bed
And sit up by me and take hold of me.
I wanted to put out the light and see 105
If I could see it, or else mow the room,
With our arms at the level of our knees,
And bring the chalk-pile down. “I’ll tell you what—
It’s looking for another door to try.
The uncommonly deep snow has made him think 110
Of his old song, The Wild Colonial Boy,
He always used to sing along the tote-road.
He’s after an open door to get out-doors.
Let’s trap him with an open door up attic.”
Toffile agreed to that, and sure enough, 115
Almost the moment he was given an opening,
The steps began to climb the attic stairs.
I heard them. Toffile didn’t seem to hear them.
“Quick!” I slammed to the door and held the knob.
“Toffile, get nails.” I made him nail the door shut, 120
And push the headboard of the bed against it.

Then we asked was there anything
Up attic that we’d ever want again.
The attic was less to us than the cellar.
If the bones liked the attic, let them like it, 125
Let them stay in the attic. When they sometimes
Come down the stairs at night and stand perplexed
Behind the door and headboard of the bed,
Brushing their chalky skull with chalky fingers,
With sounds like the dry rattling of a shutter, 130
That’s what I sit up in the dark to say—
To no one any more since Toffile died.
Let them stay in the attic since they went there.
I promised Toffile to be cruel to them
For helping them be cruel once to him. 135
The Son
We think they had a grave down in the cellar.
The Mother
We know they had a grave down in the cellar.
The Son
We never could find out whose bones they were.
The Mother
Yes, we could too, son. Tell the truth for once.
They were a man’s his father killed for me. 140
I mean a man he killed instead of me.
The least I could do was help dig their grave.
We were about it one night in the cellar.
Son knows the story: but ’twas not for him
To tell the truth, suppose the time had come. 145
Son looks surprised to see me end a lie
We’d kept up all these years between ourselves
So as to have it ready for outsiders.
But tonight I don’t care enough to lie—
I don’t remember why I ever cared. 150
Toffile, if he were here, I don’t believe
Could tell you why he ever cared himself….

She hadn’t found the finger-bone she wanted
Among the buttons poured out in her lap.

I verified the name next morning: Toffile. 155
The rural letter-box said Toffile Barre.

If You Forget Me


I want you to know
one thing.

You know how this is:
if I look
at the crystal moon, at the red branch
of the slow autumn at my window,
if I touch
near the fire
the impalpable ash
or the wrinkled body of the log,
everything carries me to you,
as if everything that exists,
aromas, light, metals,
were little boats
that sail
toward those isles of yours that wait for me.

Well, now,
if little by little you stop loving me
I shall stop loving you little by little.

If suddenly
you forget me
do not look for me,
for I shall already have forgotten you.

If you think it long and mad,
the wind of banners
that passes through my life,
and you decide
to leave me at the shore
of the heart where I have roots,
remember
that on that day,
at that hour,
I shall lift my arms
and my roots will set off
to seek another land.

But
if each day,
each hour,
you feel that you are destined for me
with implacable sweetness,
if each day a flower
climbs up to your lips to seek me,
ah my love, ah my own,
in me all that fire is repeated,
in me nothing is extinguished or forgotten,
my love feeds on your love, beloved,
and as long as you live it will be in your arms
without leaving mine.


- Pablo Neruda

If I Believe


if i believe
in death be sure
of this
it is

because you have loved me,
moon and sunset
stars and flowers
gold crescendo and silver muting

of seatides
i trusted not,
one night
when in my fingers

drooped your shining body
when my heart
sang between your perfect
breasts

darkness and beauty of stars
was on my mouth petals danced
against my eyes
and down

the singing reaches of
my soul
spoke
the green-

greeting pale-
departing irrevocable
sea
i knew thee death.

and when
i have offered up each fragrant
night,when all my days
shall have before a certain

face become
white
perfume
only,
from the ashes
then
thou wilt rise and thou
wilt come to her and brush

the mischief from her eyes and fold
her
mouth the new
flower with

thy unimaginable
wings,where dwells the breath
of all persisting stars

- e.e. cummings

Love Is A Place

love is a place
& through this place of
love move
(with brightness of peace)
all places

yes is a world
& in this world of
yes live
(skilfully curled)
all worlds

- e.e. cummings

Found
~Goethe


Off in the forest,
Any old way,
Nothing in mind but
mosey and stray-

Saw there a blossom
Hid amid plants,
Lovely as starlight,
Bright as a glance.

Reckoned to pick it,
Heard a small cry:
"I'm to be broken
Only to die?"

Stooping I dug it
Rootlets and all-
I've a fine cottage,
Fine garden-wall;

Planted it back there,
Half in the sun.
Look at her prosper
-Blossomy one!

🌷

You’re
BY SYLVIA PLATH

Clownlike, happiest on your hands,
Feet to the stars, and moon-skulled,
Gilled like a fish. A common-sense
Thumbs-down on the dodo’s mode.
Wrapped up in yourself like a spool,
Trawling your dark as owls do.
Mute as a turnip from the Fourth
Of July to All Fools’ Day,
O high-riser, my little loaf.

Vague as fog and looked for like mail.
Farther off than Australia.
Bent-backed Atlas, our traveled prawn.
Snug as a bud and at home
Like a sprat in a pickle jug.
A creel of eels, all ripples.
Jumpy as a Mexican bean.
Right, like a well-done sum.
A clean slate, with your own face on.

As To Some Lovely Temple, Tenantless

As to some lovely temple, tenantless
Long since, that once was sweet with shivering brass,
Knowing well its altars ruined and the grass
Grown up between the stones, yet from excess
Of grief hard driven, or great loneliness,
The worshiper returns, and those who pass
Marvel him crying on a name that was,—
So is it now with me in my distress.
Your body was a temple to Delight;
Cold are its ashes whence the breath is fled,
Yet here one time your spirit was wont to move;
Here might I hope to find you day or night,
And here I come to look for you, my love,
Even now, foolishly, knowing you are dead.

- Edna St. Vincent Millay

Journey

Ah, could I lay me down in this long grass
And close my eyes, and let the quiet wind
Blow over me—I am so tired, so tired
Of passing pleasant places! All my life,
Following Care along the dusty road,
Have I looked back at loveliness and sighed;
Yet at my hand an unrelenting hand
Tugged ever, and I passed. All my life long
Over my shoulder have I looked at peace;
And now I fain would lie in this long grass
And close my eyes. Yet onward!
Cat birds call Through the long afternoon,
and creeks at dusk are guttural.
Whip-poor-wills wake and cry,
Drawing the twilight close about their throats.
Only my heart makes answer. Eager vines
Go up the rocks and wait; flushed apple-trees
Pause in their dance and break the ring for me;
And bayberry, that through sweet bevies thread
Of round-faced roses, pink and petulant,
Look back and beckon ere they disappear.
Only my heart, only my heart responds.
Yet, ah, my path is sweet on either side
All through the dragging day,—sharp underfoot
And hot, and like dead mist the dry dust hangs—
But far, oh, far as passionate eye can reach,
And long, ah, long as rapturous eye can cling,
The world is mine: blue hill, still silver lake,
Broad field, bright flower, and the long white road
A gateless garden, and an open path:
My feet to follow, and my heart to hold.


- Edna St. Vincent Millay

Last Night The Rain Spoke To Me

Last night

the rain

spoke to me

slowly, saying,

what joy

to come falling

out of the brisk cloud,

to be happy again

in a new way

on the earth!

That’s what it said

as it dropped,

smelling of iron,

and vanished

like a dream of the ocean

into the branches

and the grass below.

Then it was over.

The sky cleared.

I was standing

under a tree.

The tree was a tree

with happy leaves,

and I was myself,

and there were stars in the sky

that were also themselves

at the moment

at which moment

my right hand

was holding my left hand

which was holding the tree

which was filled with stars

and the soft rain –

imagine! imagine!

the long and wondrous journeys

still to be ours.

- Mary Oliver

“O love, O fire! once she drew
With one long kiss my whole soul through
My lips, as sunlight drinketh dew.”

― Alfred Lord Tennyson

My favorite six letter word is
always
because it promises
so much.

My favorite five letter word is
never
because it insists on contradicting
the promise.

My favorite four letter word is
once
because it says it
happened then.

My favorite three letter word is
yes
because I’m just now learning
to say it
to my heart.

My favorite two letter word is
if
because it makes
all things possible
like this:

If not always
If not never
Then once.

Yes.

― Kate DiCamillo

Turtle by Kay Ryan
 

Who would be a turtle who could help it?
A barely mobile hard roll, a four-oared helmet,
She can ill afford the chances she must take
In rowing toward the grasses that she eats.
Her track is graceless, like dragging
A packing-case places, and almost any slope
Defeats her modest hopes. Even being practical,
She’s often stuck up to the axle on her way
To something edible. With everything optimal,
She skirts the ditch which would convert
Her shell into a serving dish. She lives
Below luck-level, never imagining some lottery
Will change her load of pottery to wings.
Her only levity is patience,
The sport of truly chastened things.

The Arrow and the Song

I shot an arrow into the air,
It fell to earth, I knew not where;
For, so swiftly it flew, the sight
Could not follow it in its flight.

I breathed a song into the air,
It fell to earth, I knew not where;
For who has sight so keen and strong,
That it can follow the flight of song?

Long, long afterward, in an oak
I found the arrow, still unbroke;
And the song, from beginning to end,
I found again in the heart of a friend.

- Henry Wadsworth Longfellow

The Monster Within written by ME
 

The Monster Within

There lurks within the pages of this history a monster, the Monster within
This Monster has been consumed with societal norms, dying to fit in
Sitting in the right row, speaking the correct language, all wearing thin

This Monster worked real hard at hiding and putting on a good face
Taking care of responsibilities because that is how it hid its base
The only thing that holds this Monster in check is denial
Denial of what it is and what it likes

The song of this Monster is adaptability
The spirit of this Monster is creativity
The soul of this Monster is longevity
The name of this Monster is Me

A Certain Kind of Eden - Kay Ryan
 

It seems like you could, but
you can’t go back and pull
the roots and runners and replant.
It’s all too deep for that.
You’ve overprized intention,
have mistaken any bent you’re given
for control. You thought you chose
the bean and chose the soil.
You even thought you abandoned
one or two gardens. But those things
keep growing where we put them—
if we put them at all.
A certain kind of Eden holds us thrall.
Even the one vine that tendrils out alone
in time turns on its own impulse,
twisting back down its upward course
a strong and then a stronger rope,
the greenest saddest strongest
kind of hope.