Nearly A Valediction
 

You happened to me. I was happened to
like an abandoned building by a bull-
dozer, like the van that missed my skull
happened a two-inch gash across my chin.
You were as deep down as I've ever been.
You were inside me like my pulse. A new-
born flailing toward maternal heartbeat through
the shock of cold and glare: when you were gone,
swaddled in strange air I was that alone
again, inventing life left after you.


I don't want to remember you as that
four o'clock in the morning eight months long
after you happened to me like a wrong
number at midnight that blew up the phone
bill to an astronomical unknown
quantity in a foreign currency.
The U.S. dollar dived since you happened to me.
You've grown into your skin since then; you've grown
into the space you measure with someone
you can love back without a caveat.

While I love somebody I learn to live
with through the downpulled winter days' routine
wakings and sleepings, half-and-half caffeine-
assisted mornings, laundry, stock-pots, dust-
balls in the hallway, lists instead of longing, trust
that what comes next comes after what came first.
She'll never be a story I make up.
You were the one I didn't know where to stop.
If I had blamed you, now I could forgive
you, but what made my cold hand, back in prox-
imity to your hair, your mouth, your mind,
want where it no way ought to be, defined
by where it was, and was and was until
the whole globed swelling liquefied and spilled
through one cheek's nap, a syllable, a tear,
was never blame, whatever I wished it were.
You were the weather in my neighborhood.
You were the epic in the episode.
You were the year poised on the equinox.

~ Marilyn Hacker

To Earthward
By Robert Frost

Love at the lips was touch
As sweet as I could bear;
And once that seemed too much;
I lived on air

That crossed me from sweet things,
The flow of - was it musk
From hidden grapevine springs
Down hill at dusk?

I had the swirl and ache
From sprays of honeysuckle
That when they're gathered shake
Dew on the knuckle.

I craved strong sweets, but those
Seemed strong when I was young;
The petal of the rose
It was that stung.

Now no joy but lacks salt
That is not dashed with pain
And weariness and fault;
I crave the stain

Of tears, the aftermark
Of almost too much love,
The sweet of bitter bark
And burning clove.

When stiff and sore and scarred
I take away my hand
From leaning on it hard
In grass and sand,

The hurt is not enough:
I long for weight and strength
To feel the earth as rough
To all my length.

Mowing

There was never a sound beside the wood but one,
And that was my long scythe whispering to the ground.
What was it it whispered? I knew not well myself;
Perhaps it was something about the heat of the sun,
Something, perhaps, about the lack of sound—
And that was why it whispered and did not speak.
It was no dream of the gift of idle hours,
Or easy gold at the hand of fay or elf:
Anything more than the truth would have seemed too weak
To the earnest love that laid the swale in rows,
Not without feeble-pointed spikes of flowers
(Pale orchises), and scared a bright green snake.
The fact is the sweetest dream that labor knows.
My long scythe whispered and left the hay to make.

--Robert Frost

Live Oaks, New Orleans
by Jennifer Maier

They square off along Napoleon avenue,
opposing armies of dark women, leaning out
so far their branches meet at the top, like hands
grabbing fistfuls of tangled hair;
and some of them are old, with the thick,
scarred trunks of Storyville madams, and
roots so strong their suck heaves
up the sidewalk like so many broken
saltines. And some are young, with the
straightbacked bodies of girls who dream
of horses and the brown arms of the neighbor boys,
but underground the red roots grow together,
fuse in a living circuitry spun deep and
stronger than the whims of emperors, as if
they've known all along that earth's the right
place for love, as though, planted in battle lines,
they incline toward the circle, and hold it open,
vaulted and welcoming.

I loved you…
by Alexander Pushkin

I loved you, and I probably still do,
And for a while the feeling may remain...
But let my love no longer trouble you,
I do not wish to cause you any pain.
I loved you; and the hopelessness I knew,
The jealousy, the shyness - though in vain -
Made up a love so tender and so true
As may God grant you to be loved again.

Myself
by Edgar Albert Guest

I have to live with myself and so
I want to be fit for myself to know.
I want to be able as days go by,
always to look myself straight in the eye;
I don't want to stand with the setting sun
and hate myself for the things I have done.
I don't want to keep on a closet shelf
a lot of secrets about myself
and fool myself as I come and go
into thinking no one else will ever know
the kind of person I really am,
I don't want to dress up myself in sham.
I want to go out with my head erect
I want to deserve all men's respect;
but here in the struggle for fame and wealth
I want to be able to like myself.
I don't want to look at myself and know that
I am bluster and bluff and empty show.
I never can hide myself from me;
I see what others may never see;
I know what others may never know,
I never can fool myself and so,
whatever happens I want to be
self respecting and conscience free.

Deeper
by Quentin Huff

He poured it in her ear, the idea

of him on top, slowing time down
to enter her, convincing her
that everything would stay between them,
with his back to the air
and her bottom on the mattress,
their motions surrounded by
the smell of love and fabric softener.

She wanted him behind her, a position
of trust, tossing aside suspicions
of what he might do behind her back
and how easily he could hide
who else he might be thinking of.

But he did not want to look over her shoulder,

he wanted to be in her eyes,
moving his hips in slow clock-
wise
rotation,

making the cold stone expression
on her face crumble.
She'd been wearing her countenance that way

since the first day they met,
after one lover refused to stay inside her
and another was so indecisive, she was forced
to mount the problem and dominate.

But no more.

And she cried because he did everything
he said he would do to her
but when he was finished, he did not leave.

SONETO XVII

No te amo como si fueras rosa de sal, topacio
o flecha de claveles que propagan el fuego:
te amo como se aman ciertas cosas oscuras,
secretamente, entre la sombra y el alma.

Te amo como la planta que no florece y lleva
dentro de sí, escondida, la luz de aquellas flores,
y gracias a tu amor vive oscuro en mi cuerpo
el apretado aroma que ascendió de la tierra.

Te amo sin saber cómo, ni cuándo, ni de dónde,
te amo directamente sin problemas ni orgullo:
así te amo porque no sé amar de otra manera,

sino así de este modo en que no soy ni eres,
tan cerca que tu mano sobre mi pecho es mía,
tan cerca que se cierran tus ojos con mi sueño.

~ Pablo Neruda

Poesia~Pablo Neruda
 

"Fireflies" by Omar Musa
 

"When they promise us everything and treat us like nothing,
I live for the little winds.
I live for the things I am ready to die for.
I stand for the things for which I am ready to fall...
This poem is for the survivors,
It's for the outcasts,
It's for the eccentrics who never let coolness
Whitewash their madness...
They will treat your voice like a crime
for which you have no alibi.
So make it a crime of passion."

More Staceyann ... <3 ... 'cause I'm crushing on her energy today ;)

Often Misattributed
 

Come to the edge.

We might fall.

Come to the edge.

It's too high!

COME TO THE EDGE!

And they came

And he pushed

And they flew.


Christopher Logue's poem "Come to the Edge" from New Numbers.

One Art
 

by Elizabeth Bishop

The art of losing isn't hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.

Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn't hard to master.

Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.

I lost my mother's watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn't hard to master.

I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn't a disaster.


--Even losing you (the joking voice, a gesture
I love) I shan't have lied. It's evident
the art of losing's not too hard to master
though it may look like (Write it!) like disaster.

March

by James Wright

A bear under the snow
Turns over to yawn.
It's been a long, hard rest.

Once, as she lay asleep, her cubs fell
Out of her hair,
And she did not know them.

It's hard to breathe
In a tight grave:

So she roars,
And the roof breaks.
Dark rivers and leaves
Pour down.

When the wind opens its doors
In its own good time,
The cubs follow that relaxed and beautiful woman
Outside to the unfamiliar cities
Of moss.

Eres el regalo
 

YES!
 

You are the sun in drag.
You are God hiding from yourself.
Remove all the “mine” – that is the veil.
Why ever worry about Anything?
Listen to what your friend Hafiz Knows for certain:
The appearance of this world
Is a Magi’s brilliant trick,
though its affairs are Nothing into nothing.
You are a divine elephant with amnesia,
Trying to live in an ant Hole.
Sweetheart, O sweetheart,
You are God in Drag!

- Hafiz

The Coming of Light
by Mark Strand

Even this late it happens:
the coming of love, the coming of light.
You wake and the candles are lit as if by themselves,
stars gather, dreams pour into your pillows,
sending up warm bouquets of air.
Even this late the bones of the body shine
and tomorrow's dust flares into breath.

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