Your Favorite Poems
I have many, I love to read poetry, so let's share our favorite poems with each other! :)
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I'm gonna start by sharing my all-time favorite verse:
Invictus Out of the night that covers me, Black as the Pit from pole to pole, I thank whatever gods may be For my unconquerable soul. In the fell clutch of circumstance I have not winced nor cried aloud. Under the bludgeonings of chance My head is bloody, but unbowed. Beyond this place of wrath and tears Looms but the Horror of the shade, And yet the menace of the years Finds, and shall find, me unafraid. It matters not how strait the gate, How charged with punishments the scroll, I am the master of my fate: I am the captain of my soul. William Ernest Henley |
STOLEN MOMENTS
What happened, happened once. So now it’s best in memory—an orange he sliced: the skin unbroken, then the knife, the chilled wedge lifted to my mouth, his mouth, the thin membrane between us, the exquisite orange, tongue, orange, my nakedness and his, the way he pushed me up against the fridge— Now I get to feel his hands again, the kiss that didn’t last, but sent some neural twin flashing wildly through the cortex. Love’s merciless, the way it travels in and keeps emitting light. Beside the stove we ate an orange. And there were purple flowers on the table. And we still had hours. - Kim Addonizio |
FEBRUARY 14
This is a valentine for the surgeons ligating the portal veins and hepatic artery, placing vascular clamps on the vena cava as my brother receives a new liver. And a valentine for each nurse; though I don’t know how many there are leaning over him in their gauze masks, I’m sure I have enough—as many hearts as it takes, as much embarrassing sentiment as anyone needs. One heart for the sutures, one for the instruments I don’t know the names of, and the monitors and lights, and the gloves slippery with his blood as the long hours pass, as a T-tube is placed to drain the bile. And one heart for the donor, who never met my brother but who understood the body as gift and did not want to bury or burn that gift. For that man, I can’t imagine how one heart could suffice. But I offer it. While my brother lies sedated, opened from sternum to groin, I think of a dead man, being remembered by others in their sorrow, and I offer him these words of praise and gratitude, oh beloved whom we did not know. - Kim Addonizio |
(and my favorite)
What Do Women Want?
I want a red dress. I want it flimsy and cheap, I want it too tight, I want to wear it until someone tears it off me. I want it sleeveless and backless, this dress, so no one has to guess what's underneath. I want to walk down the street past Thrifty's and the hardware store with all those keys glittering in the window, past Mr. and Mrs. Wong selling day-old donuts in their café, past the Guerra brothers slinging pigs from the truck and onto the dolly, hoisting the slick snouts over their shoulders. I want to walk like I'm the only woman on earth and I can have my pick. I want that red dress bad. I want it to confirm your worst fears about me, to show you how little I care about you or anything except what I want. When I find it, I'll pull that garment from its hanger like I'm choosing a body to carry me into this world, through the birth-cries and the love-cries too, and I'll wear it like bones, like skin, it'll be the goddamned dress they bury me in. - Kim Addonizio |
I don't know why this poem stayed with me for so long. I first read it when I was about 12 in one of my sister's college textbooks. It has remained one of my favorites.
The Listeners by Walter De La Mare 'Is there anybody there?' said the Traveller, Knocking on the moonlit door; And his horse in the silence champed the grasses Of the forest's ferny floor: And a bird flew up out of the turret, Above the Traveller's head And he smote upon the door again a second time; 'Is there anybody there?' he said. But no one descended to the Traveller; No head from the leaf-fringed sill Leaned over and looked into his grey eyes, Where he stood perplexed and still. But only a host of phantom listeners That dwelt in the lone house then Stood listening in the quiet of the moonlight To that voice from the world of men: Stood thronging the faint moonbeams on the dark stair, That goes down to the empty hall, Hearkening in an air stirred and shaken By the lonely Traveller's call. And he felt in his heart their strangeness, Their stillness answering his cry, While his horse moved, cropping the dark turf, 'Neath the starred and leafy sky; For he suddenly smote on the door, even Louder, and lifted his head:- 'Tell them I came, and no one answered, That I kept my word,' he said. Never the least stir made the listeners, Though every word he spake Fell echoing through the shadowiness of the still house From the one man left awake: Ay, they heard his foot upon the stirrup, And the sound of iron on stone, And how the silence surged softly backward, When the plunging hoofs were gone. |
To the Harbormaster
Frank O'Hara I wanted to be sure to reach you; though my ship was on the way it got caught in some moorings. I am always tying up and then deciding to depart. In storms and at sunset, with the metallic coils of the tide around my fathomless arms, I am unable to understand the forms of my vanity or I am hard alee with my Polish rudder in my hand and the sun sinking. To you I offer my hull and the tattered cordage of my will. The terrible channels where the wind drives me against the brown lips of the reeds are not all behind me. Yet I trust the sanity of my vessel; and if it sinks, it may well be in answer to the reasoning of the eternal voices, the waves which have kept me from reaching you. |
Sex Without Love
How do they do it, the ones who make love without love? Beautiful as dancers, gliding over each other like ice-skaters over the ice, fingers hooked inside each other's bodies, faces red as steak, wine, wet as the children at birth whose mothers are going to give them away. How do they come to the come to the come to the God come to the still waters, and not love the one who came there with them, light rising slowly as steam off their joined skin? These are the true religious, the purists, the pros, the ones who will not accept a false Messiah, love the priest instead of the God. They do not mistake the lover for their own pleasure, they are like great runners: they know they are alone with the road surface, the cold, the wind, the fit of their shoes, their over-all cardio- vascular health--just factors, like the partner in the bed, and not the truth, which is the single body alone in the universe against its own best time. - Sharon Olds |
"To you I offer my hull and the tattered cordage of my will."
I love that. |
The Borders
To say that she came into me, from another world, is not true. Nothing comes into the universe and nothing leaves it. My mother—I mean my daughter did not enter me. She began to exist inside me—she appeared within me. And my mother did not enter me. When she lay down, to pray, on me, she was always ferociously courteous, fastidious with Puritan fastidiousness, but the barrier of my skin failed, the barrier of my body fell, the barrier of my spirit. She aroused and magnetized my skin, I wanted ardently to please her, I would say to her what she wanted to hear, as if I were hers. I served her willingly, and then became very much like her, fiercely out for myself. When my daughter was in me, I felt I had a soul in me. But it was born with her. But when she cried, one night, such pure crying, I said I will take care of you, I will put you first. I will not ever have a daughter the way she had me, I will not ever swim in you the way my mother swam in me and I felt myself swum in. I will never know anyone again the way I knew my mother, the gates of the human fallen. - Sharon Olds |
I Ask You Billy Collins What scene would I want to be enveloped in more than this one, an ordinary night at the kitchen table, floral wallpaper pressing in, white cabinets full of glass, the telephone silent, a pen tilted back in my hand? It gives me time to think about all that is going on outside-- leaves gathering in corners, lichen greening the high grey rocks, while over the dunes the world sails on, huge, ocean-going, history bubbling in its wake. But beyond this table there is nothing that I need, not even a job that would allow me to row to work, or a coffee-colored Aston Martin DB4 with cracked green leather seats. No, it's all here, the clear ovals of a glass of water, a small crate of oranges, a book on Stalin, not to mention the odd snarling fish in a frame on the wall, and the way these three candles-- each a different height-- are singing in perfect harmony. So forgive me if I lower my head now and listen to the short bass candle as he takes a solo while my heart thrums under my shirt-- frog at the edge of a pond-- and my thoughts fly off to a province made of one enormous sky and about a million empty branches. As with most of the truly good poets I know, I was introduced to Billy Collins by e. |
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The Garden of Love
William Blake I went to the Garden of Love, of Love And saw what I never had seen: A Chapel was built in the midst, Where I used to play on the green. And the gates of this Chapel were shut, And Thou shalt not. writ over the door; So I turn'd to the Garden of Love, That so many sweet Bowers bore. And I saw it was filled with graves, And tomb-stones where flowers should be: And Priests in black gowns, were walking their rounds, And binding with briars, my joys & desires. |
The Divine Image
William Blake To Mercy, Pity, Peace, and Love All pray in their distress; An to these virtues of delight Return their thankfulness. For Mercy, Pity, Peace, and Love Is God, our father dear, And Mercy, Pity, Peace, and Love Is Man, his child and care. For Mercy has a human heart, Pity a human face, And Love, the human form divine, And Peace, the human dress. Then every man, of every dime That prays in his distress, Prays to the human form divine, Love, Mercy, Pity, Peace. And all must love the human form, In heathen, turk, or jew; Where Mercy, Love & Pity dwell There God is dwelling too. |
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I know. I hope you'll fall in love with her like I have. Her poems still have the power to curl my toes and I have read them so many times. |
Exposed on the cliffs of the heart
Exposed on the cliffs of the heart. Look, how tiny down there, look: the last village of words and, higher, (but how tiny) still one last farmhouse of feeling. Can you see it? Exposed on the cliffs of the heart. Stoneground under your hands. Even here, though, something can bloom; on a silent cliff-edge an unknowing plant blooms, singing, into the air. But the one who knows? Ah, he began to know and is quiet now, exposed on the cliffs of the heart. While, with their full awareness, many sure-footed mountain animals pass or linger. And the great sheltered birds flies, slowly circling, around the peak's pure denial. - But without a shelter, here on the cliffs of the heart... Rainer Maria Rilke |
I will love you.
And you will have no say in the matter. You will be sitting reading. I will step through the wall and take you by the ears. Gold Latin will come out of your mouth. Years will pass. We will be old. I will have loved you, against my nature, no other being worthy, thrown as I am on my own powers, alone there. And as we sit together reading you will say “Did you really love me?” And I will be terrified. By Stan Rice |
Sonnet of the Sweet Complaint
Federico Garcia Lorca Never let me lose the marvel of your statue-like eyes, or the accent the solitary rose of your breath places on my cheek at night. I am afraid of being, on this shore, a branchless trunk, and what I most regret is having no flower, pulp, or clay for the worm of my despair. If you are my hidden treasure, if you are my cross, my dampened pain, if I am a dog, and you alone my master, never let me lose what I have gained, and adorn the branches of your river with leaves of my estranged Autumn. |
Bend down, bend down. Excess is the only ease,
so bend. The sun is in the tree. Put your mouth on mine. Bend down beam & slash, for Dread is dreamed-up-scenes of what comes after death. Is being fled from what bends down in pain. The elbow bends in the brain, lifts the cup. The worst is yet to dream you up, so bend down the intrigue you dreamed. Flee the hayneedle in the brain's tree. Excess allures by leaps. Stars burn clean. Oriole bitches and gleams. Dread is the fear of being less forever. So bend. Bend down and kiss what you see. By Stan Rice |
I Do Not Love You Except Because I Love You
Pablo Neruda I do not love you except because I love you; I go from loving to not loving you, From waiting to not waiting for you My heart moves from cold to fire. I love you only because it's you the one I love; I hate you deeply, and hating you Bend to you, and the measure of my changing love for you Is that I do not see you but love you blindly. Maybe January light will consume My heart with its cruel Ray, stealing my key to true calm. In this part of the story I am the one who Dies, the only one, and I will die of love because I love you, Because I love you, Love, in fire and blood. :cupid: |
One of my favorites...
Cien Sonetos de Amor - XVII
Pablo Neruda I do not love you as one loves the salt-rose, or topaz, or carnations, those darts of crimson struck from the fire. I love you as certain things are loved: darkly and in secret, between dusk and the soul. I love you - like a plant that does not bloom but bears within itself, concealed, the light of flowers. Because of your love, a fierce essence, arisen from the earth, is alive within my flesh. I love you - without knowing how, when, where; I love you simply, without question, without pride. I love you thus because I know no other way of loving except this, where there is neither You nor I-- so intimate that your hand laid upon my chest is my own, so intimate that when I dream it is your eyes that close. |
Paul VERLAINE
(1844-1896) ( Poèmes saturniens) Chanson d'automne Les sanglots longs Des violons De l'automne Blessent mon coeur D'une langueur Monotone. Tout suffocant Et blême, quand Sonne l'heure, Je me souviens Des jours anciens Et je pleure Et je m'en vais Au vent mauvais Qui m'emporte Deçà, delà, Pareil à la Feuille morte. A litteral translation (translating a poem is always difficult and never really do it justice): http://www.textetc.com/workshop/wt-verlaine-1.html Song of Autumn The long sobs Of the violins Of autumn Wound my heart With a monotonous [Lethargy]. All suffocating And pale when The hour strikes I remember The old days And weep And I go away In the ill wind that carries me off This side and beyond Like the Dead leaf. |
I really enjoyed this poem! TY
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Lovely...
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and adorn the branches of your river with leaves of my estranged Autumn " these word cross my mind like a sad yearning kiss...... Pash i:cat: |
From John Trudell's myspace page, new works
November 2, 2009 - Monday
left over change in the stories of her tears he felt those long ago sounds some of yesterdays distortions spilling into the sound of today like a mindfull of left over change parts of her life spent living the past those times of more shadows then light the castings of clouds that drift with her where ever life takes her some memories wage their own battle about remembering good memories and bad memories locked in strugglings the many twists of fate seem to favor the bad memories these everyday balancing acts of when and what to trust to many times the bringers of hurt leave their imprinting like lingerings threads weaving pain into fear into masks wearing life as a disguise buying time to get through now those times of more light then shadows the saving grace of those drifting clouds the splashing of bright a scattering light flashing glimpses of laughing in dreams laughter feels better when the smiles are real and her heart and her spirit need more of that doing the best she can do in the circumstances finding her way to get through clouds that drift and memories of a mindfull of left over change |
To Eva Descending the Stair
Clocks cry: stillness is a lie, my dear; The wheels revolve, the universe keeps running. (Proud you halt upon the spiral stair.) The asteroids turn traitor in the air, And planets plot with old elliptic cunning; Clocks cry: stillness is a lie, my dear. Red the unraveled rose sings in your hair: Blood springs eternal if the heart be burning. (Proud you halt upon the spiral stair.) Cryptic stars wind up the atmosphere, In solar schemes the titled suns go turning; Clocks cry: stillness is a lie, my dear. Loud the immortal nightingales declare: Love flames forever if the flesh be yearning. (Proud you halt upon the spiral stair.) Circling zodiac compels the year. Intolerant beauty never will be learning. Clocks cry: stillness is a lie, my dear. (Proud you halt upon the spiral stair.) Sylvia Plath |
I love anything Christina Rossetti (English Victorian poetress; 1830~1894) ever wrote. This is, perhaps my favorite piece of hers:
A Birthday My heart is like a singing bird Whose nest is in a watered shoot; My heart is like an apple tree Whose boughs are bent with thickset fruit; My heart is like a rainbow shell That paddles in a halcyon sea; My heart is gladder than all these Because my love is come to me. Raise me a dais of silk and down; Hang it with vair and purple dyes; Carve it in doves and pomegranates, And peacocks with a hundred eyes; Work it in gold and silver grapes, In leaves and silver fleurs~de~lys; Because the birthday of my life Is come, my love is come to me. (November 18, 1857) |
i like my body when it is with your
body. It is so quite new a thing. Muscles better and nerves more. i like your body. i like what it does, i like its hows. i like to feel the spine of your body and its bones, and the trembling -firm-smooth ness and which i will again and again and again kiss, i like kissing this and that of you, i like, slowly stroking the, shocking fuzz of your electric fur, and what-is-it comes over parting flesh ... And eyes big love-crumbs, and possibly i like the thrill of under me you so quite new Edward Estlin Cummings |
Haiku Ambulance
A piece of green pepper fell off the wooden salad bowl: so what? —Richard Brautigan |
When I started my new life, this became my anthem. I still swell up inside when I read it.
The Journey One day you finally knew what you had to do, and began, though the voices around you kept shouting their bad advice-- though the whole house began to tremble and you felt the old tug at your ankles. "Mend my life!" each voice cried. But you didn't stop. You knew what you had to do, though the wind pried with its stiff fingers at the very foundations, though their melancholy was terrible. It was already late enough, and a wild night, and the road full of fallen branches and stones. But little by little, as you left their voices behind, the stars began to burn through the sheets of clouds, and there was a new voice which you slowly recognized as your own, that kept you company as you strode deeper and deeper into the world, determined to do the only thing you could do-- determined to save the only life you could save. Mary Oliver |
Another favorite from Christina Rossetti
In The Lane When my love came home to me, Pleasant summer bringing, Every tree was out in leaf, Every bird was singing. There I met her in the lane By those waters gleamy, Met her toward the fall of day, Warm and dear and dreamy. Did I loiter in the lane? None was there to see me. Only roses in the hedge, Lilies on the river, Saw our greeting fast and fond, Counted gift and giver, Saw me take her to my home, Take her home forever. :bouquet: |
I Am A Beggar Always
I Am A Beggar Always
i am a beggar always who begs in your mind (slightly smiling, patient, unspeaking with a sign on his chest BLIND)yes i am this person of whom somehow you are never wholly rid(and who does not ask for more than just enough dreams to live on) after all, kid you might as well toss him a few thoughts a little love preferably, anything which you can't pass off on other people: for instance a plugged promise- the he will maybe (hearing something fall into his hat)go wandering after it with fingers;till having found what was thrown away himself taptaptaps out of your brain, hopes, life to(carefully turning a corner)never bother you any more e. e. cummings |
WTC by: La bruja
I love this woman, follow it all the way through and see where she takes it...
[ame="http://www.youtube.com/watch?v=pYdmABW59Ds"]YouTube- "WTC" La Bruja[/ame] I hope I can deliver live readings this well some day :rrose: Pashi |
Weary Blues : Langston Hughs
This is wonderful!:cat:Pashi
[ame="http://www.youtube.com/watch?v=KyqwvC5s4n8"]YouTube- Poetry by Langston Hughes - The Weary Blues[/ame] |
Bittersweet : Madona
[ame="http://www.youtube.com/watch?v=oWSe4t9v62I"]YouTube- Madonna - Bittersweet [RWB Video Mix][/ame]
:blueheels:Pashi |
Alone With Everybody
the flesh covers the bone
and they put a mind in there and sometimes a soul, and the women break vases against the walls and the men drink too much and nobody finds the one but keep looking crawling in and out of beds. flesh covers the bone and the flesh searches for more than flesh. there's no chance at all: we are all trapped by a singular fate. nobody ever finds the one. the city dumps fill the junkyards fill the madhouses fill the hospitals fill the graveyards fill nothing else fills. - Charles Bukowski |
Gray, quiet and tired and mean
Picking at a worried seam I try to make you mad at me over the phone Red eyes and fire and signs Im taken by a nursery rhyme I want to make a ray of sunshine and never leave home No amount of coffee, no amount of crying No amount of whiskey, no amount of wine No, nothing else will do I've gotta have you, I've gotta have you The road gets cold Theres no spring in the middle this year Im the new chicken clucking open hearts and ears Oh, such a prima donna, sorry for myself But green, it is also summer And I wont be warm till Im lying in your arms I see it all through a telescope: Guitar, suitcase, and a warm coat Lying in the back of the blue boat Humming a tune... - weepies |
A LITANY FOR SURVIVAL
For those of us who live at the shoreline standing upon the constant edges of decision crucial and alone for those of us who cannot indulge the passing dreams of choice who love in doorways coming and going in the hours between dawns looking inward and outward at once before and after seeking a now that can breed futures like bread in our children's mouths so their dreams will not reflect the death of ours: For those of us who were imprinted with fear like a faint line in the center of our foreheads learning to be afraid with our mother's milk for by this weapon this illusion of some safety to be found the heavy-footed hoped to silence us For all of us this instant and this triumph We were never meant to survive. And when the sun rises we are afraid it might not remain when the sun sets we are afraid it might not rise in the morning when our stomachs are full we are afraid of indigestion when our stomachs are empty we are afraid we may never eat again when we are loved we are afraid love will vanish when we are alone we are afraid love will never return and when we speak we are afraid our words will not be heard nor welcomed but when we are silent we are still afraid So it is better to speak remembering we were never meant to survive - Audre Lorde |
parisian scenes
Mists and Rains
Waning autumn, winter, mudbound spring - I thank these somnolent seasons which I love For offering to both my heart and mind So vaperous a shroud, so vague a tomb. Here on this huge plain where the wind perfects A will of its own and the weathervane cries all night, Now and not in the tepid days to come My soul prefers to spread her raven wings. Filled with dead and dying things, the heart Itself is frozen fast, and best of all - O queen of our climate, ashen time of year - Your livid shadows never seem to change Except on moonless nights when two by two We rock our pain to sleep on a reckless bed. --les fleurs du mal/charles baudelaire |
Life Is What We Make It
by Edgar A. Guest Life is a jest; Take the delight of it. Laughter is best; Sing through the night of it. Swiftly the tear And the hurt and the ache of it Find us down here; Life must be what we make of it. Life is a song; Dance to the thrill of it. Grief's hours are long, And cold is the chill of it. Joy is man's need; Let us smile for the sake of it. This be our creed: Life must be what we make of it. Life is a soul; The virtue and vice of it, Strife for a goal, And man's strength is the price of it. Your life and mine, The bare bread and the cake of it End in this line: Life must be what we make of it. |
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