The short fiction of American literary cult figure Paul Bowles is marked by a unique, delicately spare style, and a dark, rich, exotic mood, by turns chilling, ironic, and wry—possessing a symmetry between beauty and terror that is haunting and ultimately moral. In "Pastor Dowe at Tecaté," a Protestant missionary is sent to a faraway place where his God has no power. In "Call at Corazón," an American husband abandons his alcoholic wife on their honeymoon in a South American jungle. In "Allal," a boy's drug-induced metamorphosis into a deadly serpent leads to his violent death. Here also are some of Bowles's most famous works, including "The Delicate Prey," a grimly satisfying tale of vengeance, and "A Distant Episode," which Tennessee Williams proclaimed "a masterpiece."
Raymond Carver once said that he liked short stories that had "some feeling of threat or sense of menace." He would have loved Bowles's work. These pieces, set mostly in Tangier where Bowles, an American expatriate, lived most of his life and died in 2001 are often bizarre, sadistic, and menacing. In appearance, Bowles was an elegant man, but as a narrator he was remote, pitiless, and unsympathetic, and he dealt harshly with his characters, whether Moroccan or European expatriates. In "The Garden," "Mejdoub," and "Things Gone and Things Still Here," which echo Moroccan legend and folklore, the unrelenting desert is a huge presence. In other stories, like "The Hours After Noon" and "Too Far from Home," Bowles exposes the psychological fragility of the non-African in the North African desert, where Western values are a chimera. Containing 62 stories arranged chronologically and spanning 40 years, this edition is being published as part of the 30th anniversary of Ecco Press, of which Bowles was a cofounder. Essential for larger fiction collections.