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Poetry Please start one thread for your own poetry and just add to it! |
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#41 | |
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#42 |
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When despair for the world grows in me
and I wake in the night at the least sound in fear of what my life and my children's lives may be, I go and lie down where the wood drake rests in his beauty on the water, and the great heron feeds. I come into the peace of wild things who do not tax their lives with forethought of grief. I come into the presence of still water. And I feel above me the day-blind stars waiting with their light. For a time I rest in the grace of the world, and am free. - Wendell Berry
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#43 |
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“Party Dress for a First Born”
By Rita Dove Headless girl so ill at ease on the bed, I know, if you could, what you’re thinking of: nothing. I used to think that, too, whenever I sat down to a full plate or unwittingly stepped on an ant. When I ran to my mother, waiting radiant as a cornstalk at the edge of the field, nothing else mattered: the world stood still. Tonight men stride like elegant scissors across the lawn to the women arrayed there, petals waiting to loosen. When I step out, disguised in your blushing skin, they will nudge each other to get a peek and I will smile, all the while wishing them dead. Mother’s calling. Stand up: it will be our secret.
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#44 | |
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Someone let me know that this poem seemed disturbing to her; valuing this person’s thoughts and assuming that a few others might feel similarly, I decided to elaborate a bit about the piece.
“Party Dress for a First Born” comes from Rita Dove’s Mother Love, a collection of poetry that focuses on the relationship between mothers and daughters. The poems, all sonnets, are written from the perspective of the mythological figures Demeter and Persephone. In Greek mythology, Persephone (the daughter) was abducted by Hades (from the underworld); Demeter (the mother) mourned for Persephone so much that Hades allows Persephone to periodically visit her mother—heralding the changing of the seasons. “Party Dress for a First Born” appears near the beginning of the myth, when Persephone is encountering adolescence—and striving to create a separate identity from her mother ("the world stood still" when the mother called--but now, the daughter is keeping "secret" desires). Whether or not a reader knows or doesn’t know that the poem is based on the Persephone/Demeter myth, I figured that the sense of adolescence—as both an erotic and violent stage—would surface; plus, I think the sounds and rhythm are pretty awesome within the poem… I hope no one was too ‘put off’ by the poem :-) Link/Scholarly source: Pat Righelato’s Understanding Rita Dove Quote:
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#45 |
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"The Last Time" by Marie Howe
(from What the Living Do, focusing on her brother's struggle with AIDS) The last time we had dinner together in a restraurant with white table clothes, he leaned forward and took my two hands in his and said, I'm going to die soon. I want you to know that. And I said, I think I do know. And he said, what surprises me is that you don't. And I said, I do. And he said, What? And I said, Know that you're going to die. And he said, No, I mean know that you are.
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#46 |
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Variations on the Word Love
This is a word we use to plug holes with. It's the right size for those warm blanks in speech, for those red heart- shaped vacancies on the page that look nothing like real hearts. Add lace and you can sell it. We insert it also in the one empty space on the printed form that comes with no instructions. There are whole magazines with not much in them but the word love, you can rub it all over your body and you can cook with it too. How do we know it isn't what goes on at the cool debaucheries of slugs under damp pieces of cardboard? As for the weed- seedlings nosing their tough snouts up among the lettuces, they shout it. Love! Love! sing the soldiers, raising their glittering knives in salute. Then there's the two of us. This word is far too short for us, it has only four letters, too sparse to fill those deep bare vacuums between the stars that press on us with their deafness. It's not love we don't wish to fall into, but that fear. this word is not enough but it will have to do. It's a single vowel in this metallic silence, a mouth that says O again and again in wonder and pain, a breath, a finger grip on a cliffside. You can hold on or let go. By Margaret Atwood |
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The Road Not Taken
Robert Frost Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth. Then took the other, as just as fair, And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that the passing there Had worn them really about the same. And both that morning equally lay In leaves no step had trodden black. Oh, I kept the first for another day! Yet knowing how way leads on to way, I doubted if I should ever come back. I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I-- I took the one less traveled by, And that has made all the difference.
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Remember
by Christina Rosetti Remember me when I am gone away, Gone far away into the silent land; When you can no more hold me by the hand, Nor I half turn to go yet turning stay. Remember me when no more day by day You tell me of our future that you plann'd: Only remember me; you understand It will be late to counsel then or pray. Yet if you should forget me for a while And afterwards remember, do not grieve: For if the darkness and corruption leave A vestige of the thoughts that once I had, Better by far you should forget and smile Than that you should remember and be sad. ![]()
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#49 |
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The Barefoot Boy
Blessings on thee, little man, Barefoot boy, with cheek of tan! With thy turned-up pantaloons, And thy merry whistled tunes; With thy red lip, redder still Kissed by strawberries on the hill; With the sunshine on thy face, Through thy torn brim's jaunty grace; From my heart I give thee joy, - I was once a barefoot boy! Prince thou art, - the grown-up man Only is republican. Let the million-dollared ride! Barefoot, trudging at his side, Thou hast more than he can buy In the reach of ear and eye, - Outward sunshine, inward joy: Blessings on thee, barefoot boy! Oh for boyhood's painless play, Sleep that wakes in laughing day, Health that mocks the doctor's rules, Knowledge never learned of schools, Of the wild bee's morning chase, Of the wild-flower's time and place, Flight of fowl and habitude Of the tenants of the wood; How the tortoise bears his shell, How the woodchuck digs his cell, And the ground-mole sinks his well; How the robin feeds her young, How the oriole's nest is hung; Where the whitest lilies blow, Where the freshest berries grow, Where the ground-nut trails its vine, Where the wood-grape's clusters shine; Of the black wasp's cunning way, Mason of his walls of clay, And the architectural plans Of gray hornet artisans! For, eschewing books and tasks, Nature answers all he asks; Hand in hand with her he walks, Face to face with her he talks, Part and parcel of her joy, - Blessings on the barefoot boy! Oh for boyhood's time of June, Crowding years in one brief moon, When all things I heard or saw, Me, their master, waited for. I was rich in flowers and trees, Humming-birds and honey-bees; For my sport the squirrel played, Plied the snouted mole his spade; For my taste the blackberry cone Purpled over hedge and stone; Laughed the brook for my delight Through the day and through the night, Whispering at the garden wall, Talked with me from fall to fall; Mine the sand-rimmed pickerel pond, Mine the walnut slopes beyond, Mine, on bending orchard trees, Apples of Hesperides! Still as my horizon grew, Larger grew my riches too; All the world I saw or knew Seemed a complex Chinese toy, Fashioned for a barefoot boy! Oh for festal dainties spread, Like my bowl of milk and bread; Pewter spoon and bowl of wood, On the door-stone, gray and rude! O'er me, like a regal tent, Cloudy-ribbed, the sunset bent, Purple-curtained, fringed with gold, Looped in many a wind-swung fold; While for music came the play Of the pied frogs' orchestra; And, to light the noisy choir, Lit the fly his lamp of fire. I was monarch: pomp and joy Waited on the barefoot boy! Cheerily, then, my little man, Live and laugh, as boyhood can! Though the flinty slopes be hard, Stubble-speared the new-mown sward, Every morn shall lead thee through Fresh baptisms of the dew; Every evening from thy feet Shall the cool wind kiss the heat: All too soon these feet must hide In the prison cells of pride, Lose the freedom of the sod, Like a colt's for work be shod, Made to tread the mills of toil, Up and down in ceaseless moil: Happy if their track be found Never on forbidden ground; Happy if they sink not in Quick and treacherous sands of sin. Ah! that thou couldst know thy joy, Ere it passes, barefoot boy! Whittier, John Greenleaf One of the best-loved American poets of the 19th century ![]()
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#50 |
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The Barefoot Boy
Blessings on thee, little man, Barefoot boy, with cheek of tan! With thy turned-up pantaloons, And thy merry whistled tunes; With thy red lip, redder still Kissed by strawberries on the hill; With the sunshine on thy face, Through thy torn brim's jaunty grace; From my heart I give thee joy, - I was once a barefoot boy! Prince thou art, - the grown-up man Only is republican. Let the million-dollared ride! Barefoot, trudging at his side, Thou hast more than he can buy In the reach of ear and eye, - Outward sunshine, inward joy: Blessings on thee, barefoot boy! Oh for boyhood's painless play, Sleep that wakes in laughing day, Health that mocks the doctor's rules, Knowledge never learned of schools, Of the wild bee's morning chase, Of the wild-flower's time and place, Flight of fowl and habitude Of the tenants of the wood; How the tortoise bears his shell, How the woodchuck digs his cell, And the ground-mole sinks his well; How the robin feeds her young, How the oriole's nest is hung; Where the whitest lilies blow, Where the freshest berries grow, Where the ground-nut trails its vine, Where the wood-grape's clusters shine; Of the black wasp's cunning way, Mason of his walls of clay, And the architectural plans Of gray hornet artisans! For, eschewing books and tasks, Nature answers all he asks; Hand in hand with her he walks, Face to face with her he talks, Part and parcel of her joy, - Blessings on the barefoot boy! Oh for boyhood's time of June, Crowding years in one brief moon, When all things I heard or saw, Me, their master, waited for. I was rich in flowers and trees, Humming-birds and honey-bees; For my sport the squirrel played, Plied the snouted mole his spade; For my taste the blackberry cone Purpled over hedge and stone; Laughed the brook for my delight Through the day and through the night, Whispering at the garden wall, Talked with me from fall to fall; Mine the sand-rimmed pickerel pond, Mine the walnut slopes beyond, Mine, on bending orchard trees, Apples of Hesperides! Still as my horizon grew, Larger grew my riches too; All the world I saw or knew Seemed a complex Chinese toy, Fashioned for a barefoot boy! Oh for festal dainties spread, Like my bowl of milk and bread; Pewter spoon and bowl of wood, On the door-stone, gray and rude! O'er me, like a regal tent, Cloudy-ribbed, the sunset bent, Purple-curtained, fringed with gold, Looped in many a wind-swung fold; While for music came the play Of the pied frogs' orchestra; And, to light the noisy choir, Lit the fly his lamp of fire. I was monarch: pomp and joy Waited on the barefoot boy! Cheerily, then, my little man, Live and laugh, as boyhood can! Though the flinty slopes be hard, Stubble-speared the new-mown sward, Every morn shall lead thee through Fresh baptisms of the dew; Every evening from thy feet Shall the cool wind kiss the heat: All too soon these feet must hide In the prison cells of pride, Lose the freedom of the sod, Like a colt's for work be shod, Made to tread the mills of toil, Up and down in ceaseless moil: Happy if their track be found Never on forbidden ground; Happy if they sink not in Quick and treacherous sands of sin. Ah! that thou couldst know thy joy, Ere it passes, barefoot boy! Whittier, John Greenleaf One of the best-loved American poets of the 19th century ![]()
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#51 |
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remembrance
lady moon hasn't come out. she is playing round-the-ring and laughing at herself. moon mooning. ![]() conch shell they have brought me a conch shell. within it sings a map sized sea. my heart fills up with water and little fish of shadow and silver. they have brought me a conch shell. |
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#52 |
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![]() Variations on the Word Sleep I would like to watch you sleeping, which may not happen. I would like to watch you, sleeping. I would like to sleep with you, to enter your sleep as its smooth dark wave slides over my head and walk with you through that lucent wavering forest of bluegreen leaves with its watery sun & three moons towards the cave where you must descend, towards your worst fear I would like to give you the silver branch, the small white flower, the one word that will protect you from the grief at the center of your dream, from the grief at the center. I would like to follow you up the long stairway again & become the boat that would row you back carefully, a flame in two cupped hands to where your body lies beside me, and you enter it as easily as breathing in I would like to be the air that inhabits you for a moment only. I would like to be that unnoticed & that necessary. --Margaret Atwood |
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#53 |
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![]() Joyce Kilmer Trees I think that I shall never see a poem lovely as a tree. a tree whose hungry mouth is prest against the sweet earth's flowing breast; a tree that looks at God all day, and lifts her leafy arms to pray; a tree that may in summer wear a nest of robins in her hair; upon whose bosom snow has lain; who intimately lives with rain. poems are made by fools like me, but only God can make a tree. |
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#54 |
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You Who Never Arrived
Rainer Maria Rilke You who never arrived in my arms, Beloved, who were lost from the start, I don't even know what songs would please you. I have given up trying to recognize you in the surging wave of the next moment. All the immense images in me -- the far-off, deeply-felt landscape, cities, towers, and bridges, and unsuspected turns in the path, and those powerful lands that were once pulsing with the life of the gods-- all rise within me to mean you, who forever elude me. You, Beloved, who are all the gardens I have ever gazed at, longing. An open window in a country house-- , and you almost stepped out, pensive, to meet me. Streets that I chanced upon,-- you had just walked down them and vanished. And sometimes, in a shop, the mirrors were still dizzy with your presence and, startled, gave back my too-sudden image. Who knows? Perhaps the same bird echoed through both of us yesterday, separate, in the evening... |
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Drunk as Drunk - Neruda
Drunk as drunk on turpentine From your open kisses, Your wet body wedged Between my wet body and the strake Of our boat that is made of flowers, Feasted, we guide it - our fingers Like tallows adorned with yellow metal - Over the sky's hot rim, The day's last breath in our sails. Pinned by the sun between solstice And equinox, drowsy and tangled together We drifted for months and woke With the bitter taste of land on our lips, Eyelids all sticky, and we longed for lime And the sound of a rope Lowering a bucket down its well. Then, We came by night to the Fortunate Isles, And lay like fish Under the net of our kisses. |
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The Quiet World
In an effort to get people to look into each other's eyes more, and also to appease the mutes, the government has decided to allot each person exactly one hundred and sixty-seven words, per day. When the phone rings, I put it to my ear without saying hello. In the restaurant I point at chicken noodle soup. I am adjusting well to the new way. Late at night, I call my long distance lover, proudly say I only used fifty-nine today. I saved the rest for you. When she doesn't respond, I know she's used up all her words, so I slowly whisper I love you thirty-two and a third times. After that, we just sit on the line and listen to each other breathe. Jeffrey McDaniel |
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#57 |
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One Art
The art of losing isn't hard to master; so many things seem filled with the intent to be lost that their loss is no disaster. Lose something every day. Accept the fluster of lost door keys, the hour badly spent. The art of losing isn't hard to master. Then practice losing farther, losing faster: places, and names, and where it was you meant to travel. None of these will bring disaster. I lost my mother's watch. And look! my last, or next-to-last, of three loved houses went. The art of losing isn't hard to master. I lost two cities, lovely ones. And, vaster, some realms I owned, two rivers, a continent. I miss them, but it wasn't a disaster. ---Even losing you (the joking voice, a gesture I love) I shan't have lied. It's evident the art of losing's not too hard to master though it may look like (Write it!) like disaster. --------- -- Elizabeth Bishop |
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#58 |
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Music to hear, why hear'st thou music sadly?
Sweets with sweets war not, joy delights in joy. Why lovest thou that which thou receivest not gladly, Or else receivest with pleasure thine annoy? If the true concord of well-tuned sounds, By unions married, do offend thine ear, They do but sweetly chide thee, who confounds In singleness the parts that thou shouldst bear. Mark how one string, sweet husband to another, Strikes each in each by mutual ordering, Resembling sire and child and happy mother Who all in one, one pleasing note do sing: Whose speechless song, being many, seeming one, Sings this to thee: 'thou single wilt prove none.' WS |
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#59 |
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if it doesn't come bursting out of you
in spite of everything, don't do it. unless it comes unasked out of your heart and your mind and your mouth and your gut, don't do it. if you have to sit for hours staring at your computer screen or hunched over your typewriter searching for words, don't do it. if you're doing it for money or fame, don't do it. if you're doing it because you want women in your bed, don't do it. if you have to sit there and rewrite it again and again, don't do it. if it's hard work just thinking about doing it, don't do it. if you're trying to write like somebody else, forget about it. if you have to wait for it to roar out of you, then wait patiently. if it never does roar out of you, do something else. if you first have to read it to your wife or your girlfriend or your boyfriend or your parents or to anybody at all, you're not ready. don't be like so many writers, don't be like so many thousands of people who call themselves writers, don't be dull and boring and pretentious, don't be consumed with self- love. the libraries of the world have yawned themselves to sleep over your kind. don't add to that. don't do it. unless it comes out of your soul like a rocket, unless being still would drive you to madness or suicide or murder, don't do it. unless the sun inside you is burning your gut, don't do it. when it is truly time, and if you have been chosen, it will do it by itself and it will keep on doing it until you die or it dies in you. there is no other way. and there never was.
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Class, race, sexuality, gender and all other categories by which we categorize and dismiss each other need to be excavated from the inside. - Dorothy Allison
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#60 |
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Forgive me, I’m no good at this. I can’t write back. I never read your letter.
I can’t say I got your note. I haven’t had the strength to open the envelope. The mail stacks up by the door. Your hand’s illegible. Your postcards were defaced. Wash your wet hair? Any document you meant to send has yet to reach me. The untied parcel service never delivered. I regret to say I’m unable to reply to your unexpressed desires. I didn’t get the book you sent. By the way, my computer was stolen. Now I’m unable to process words. I suffer from aphasia. I’ve just returned from Kenya and Korea. Didn’t you get a card from me yet? What can I tell you? I forgot what I was going to say. I still can’t find a pen that works and then I broke my pencil. You know how scarce paper is these days. I admit I haven’t been recycling. I never have time to read the Times. I’m out of shopping bags to put the old news in. I didn’t get to the market. I meant to clip the coupons. I haven’t read the mail yet. I can’t get out the door to work, so I called in sick. I went to bed with writer’s cramp. If I couldn’t get back to writing, I thought I’d catch up on my reading. Then Oprah came on with a fabulous author plugging her best selling book.
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Class, race, sexuality, gender and all other categories by which we categorize and dismiss each other need to be excavated from the inside. - Dorothy Allison
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