Your Favorite Poems

[Spirit Dancer]

A Ballad Of Boding
Christina Rossetti
There are sleeping dreams and waking dreams;
What seems is not always as it seems.

I looked out of my window in the sweet new morning,
And there I saw three barges of manifold adorning
Went sailing toward the East:
The first had sails like fire,
The next like glittering wire,
But sackcloth were the sails of the least;
And all the crews made music, and two had spread a feast.

The first choir breathed in flutes,
And fingered soft guitars;
The second won from lutes
Harmonious chords and jars,
With drums for stormy bars:
But the third was all of harpers and scarlet trumpeters;
Notes of triumph, then
An alarm again,
As for onset, as for victory, rallies, stirs,
Peace at last and glory to the vanquishers.

The first barge showed for figurehead a Love with wings;
The second showed for figurehead a Worm with stings;
The third, a Lily tangled to a Rose which clings.
The first bore for freight gold and spice and down;
The second bore a sword, a sceptre, and a crown;
The third, a heap of earth gone to dust and brown.
Winged Love meseemed like Folly in the face;
Stinged Worm meseemed loathly in his place;
Lily and Rose were flowers of grace.

Merry went the revel of the fire-sailed crew,
Singing, feasting, dancing to and fro:
Pleasures ever changing, ever graceful, ever new;
Sighs, but scarce of woe;
All the sighing
Wooed such sweet replying;
All the sighing, sweet and low,
Used to come and go
For more pleasure, merely so.
Yet at intervals some one grew tired
Of everything desired,
And sank, I knew not whither, in sorry plight,
Out of sight.

The second crew seemed ever
Wider-visioned, graver,
More distinct of purpose, more sustained of will;
With heads erect and proud,
And voices sometimes loud;
With endless tacking, counter-tacking,
All things grasping, all things lacking,
It would seem;
Ever shifting helm, or sail, or shroud,
Drifting on as in a dream.
Hoarding to their utmost bent,
Feasting to their fill,
Yet gnawed by discontent,
Envy, hatred, malice, on their road they went.
Their freight was not a treasure,
Their music not a pleasure;
The sword flashed, cleaving through their bands,
Sceptre and crown changed hands.

The third crew as they went
Seemed mostly different;
They toiled in rowing, for to them the wind was contrary,
As all the world might see.
They labored at the oar,
While on their heads they bore
The fiery stress of sunshine more and more.
They labored at the oar hand-sore,
Till rain went splashing,
And spray went dashing,
Down on them, and up on them, more and more.
Their sails were patched and rent,
Their masts were bent,
In peril of their lives they worked and went.
For them no feast was spread,
No soft luxurious bed
Scented and white,
No crown or sceptre hung in sight;
In weariness and painfulness,
In thirst and sore distress,
They rowed and steered from left to right
With all their might.
Their trumpeters and harpers round about
Incessantly played out,
And sometimes they made answer with a shout;
But oftener they groaned or wept,
And seldom paused to eat, and seldom slept.
I wept for pity watching them, but more
I wept heart-sore
Once and again to see
Some weary man plunge overboard, and swim
To Love or Worm ship floating buoyantly:
And there all welcomed him.

The ships steered each apart and seemed to scorn each other,
Yet all the crews were interchangeable;
Now one man, now another,
—Like bloodless spectres some, some flushed by health,—
Changed openly, or changed by stealth,
Scaling a slippery side, and scaled it well.
The most left Love ship, hauling wealth
Up Worm ship’s side;
While some few hollow-eyed
Left either for the sack-sailed boat;
But this, though not remote,
Was worst to mount, and whoso left it once
Scarce ever came again,
But seemed to loathe his erst companions,
And wish and work them bane.

Then I knew (I know not how) there lurked quicksands full of dread,
Rocks and reefs and whirlpools in the water-bed,
Whence a waterspout
Instantaneously leaped out,
Roaring as it reared its head.

Soon I spied a something dim,
Many-handed, grim,
That went flitting to and fro the first and second ship;
It puffed their sails full out
With puffs of smoky breath
From a smouldering lip,
And cleared the waterspout
Which reeled roaring round about
Threatening death.
With a horny hand it steered,
And a horn appeared
On its sneering head upreared
Haughty and high
Against the blackening lowering sky.
With a hoof it swayed the waves;
They opened here and there,
Till I spied deep ocean graves
Full of skeletons
That were men and women once
Foul or fair;
Full of things that creep
And fester in the deep
And never breathe the clean life-nurturing air.

The third bark held aloof
From the Monster with the hoof,
Despite his urgent beck,
And fraught with guile
Abominable his smile;
Till I saw him take a flying leap on to that deck.
Then full of awe,
With these same eyes I saw
His head incredible retract its horn
Rounding like babe’s new born,
While silvery phosphorescence played
About his dis-horned head.
The sneer smoothed from his lip,
He beamed blandly on the ship;
All winds sank to a moan,
All waves to a monotone
(For all these seemed his realm),
While he laid a strong caressing hand upon the helm.

Then a cry well nigh of despair
Shrieked to heaven, a clamor of desperate prayer.
The harpers harped no more,
While the trumpeters sounded sore
An alarm to wake the dead from their bed:
To the rescue, to the rescue, now or never,
To the rescue, O ye living, O ye dead,
Or no more help or hope for ever!—
The planks strained as though they must part asunder,
The masts bent as though they must dip under,
And the winds and the waves at length
Girt up their strength,
And the depths were laid bare,
And heaven flashed fire and volleyed thunder
Through the rain-choked air,
And sea and sky seemed to kiss
In the horror and the hiss
Of the whole world shuddering everywhere.

Lo! a Flyer swooping down
With wings to span the globe,
And splendor for his robe
And splendor for his crown.
He lighted on the helm with a foot of fire,
And spun the Monster overboard:
And that monstrous thing abhorred,
Gnashing with balked desire,
Wriggled like a worm infirm
Up the Worm
Of the loathly figurehead.
There he crouched and gnashed;
And his head re-horned, and gashed
From the other’s grapple, dripped bloody red.

I saw that thing accurst
Wreak his worst
On the first and second crew:
Some with baited hook
He angled for and took,
Some dragged overboard in a net he threw,
Some he did to death
With hoof or horn or blasting breath.

I heard a voice of wailing
Where the ships went sailing,
A sorrowful voice prevailing
Above the sound of the sea,
Above the singers’ voices,
And musical merry noises;
All songs had turned to sighing,
The light was failing,
The day was dying—
Ah me,
That such a sorrow should be!

There was sorrow on the sea and sorrow on the land
When Love ship went down by the bottomless quicksand
To its grave in the bitter wave.
There was sorrow on the sea and sorrow on the land
When Worm ship went to pieces on the rock-bound strand,
And the bitter wave was its grave.
But land and sea waxed hoary
In whiteness of a glory
Never told in story
Nor seen by mortal eye,
When the third ship crossed the bar
Where whirls and breakers are,
And steered into the splendors of the sky;
That third bark and that least
Which had never seemed to feast,
Yet kept high festival above sun and moon and star.

[Spirit Dancer]

The Rose
Christina Rossetti
The lily has a smooth stalk,
Will never hurt your hand;
But the rose upon her brier
Is lady of the land.

There’s sweetness in an apple tree,
And profit in the corn;
But lady of all beauty
Is a rose upon a thorn.

When with moss and honey
She tips her bending brier,
And half unfolds her glowing heart,
She sets the world on fire.

[Lady_Wu]

how did you know
i had a weakness
for dykes
with short hair
and broken hearts

for women
who walk down the street
like they have a right
to be there

or maybe
a baby butch
bold enough to take
what she wants
without asking

BUTCH
BULLDAGGER
BALL-BUSTING
D-Y-K-E

did i scare you
did they hurt you

with those names?

come here, honey,
let me show you just how
sweet
those words
can sound

in the mouth
of a woman
who wants you
---Susan Kane, from "the femme mystique"

Lady_Wu....and baby, whoever you are, i want you

[Nat]

Tonight

BY AGHA SHAHID ALI

Pale hands I loved beside the Shalimar
—Laurence Hope

Where are you now? Who lies beneath your spell tonight?
Whom else from rapture’s road will you expel tonight?

Those “Fabrics of Cashmere—“ ”to make Me beautiful—“
“Trinket”—to gem—“Me to adorn—How tell”—tonight?

I beg for haven: Prisons, let open your gates—
A refugee from Belief seeks a cell tonight.

God’s vintage loneliness has turned to vinegar—
All the archangels—their wings frozen—fell tonight.

Lord, cried out the idols, Don’t let us be broken
Only we can convert the infidel tonight.

Mughal ceilings, let your mirrored convexities
multiply me at once under your spell tonight.

He’s freed some fire from ice in pity for Heaven.
He’s left open—for God—the doors of Hell tonight.

In the heart’s veined temple, all statues have been smashed
No priest in saffron’s left to toll its knell tonight

God, limit these punishments, there’s still Judgment Day—
I’m a mere sinner, I’m no infidel tonight.

Executioners near the woman at the window.
Damn you, Elijah, I’ll bless Jezebel tonight.

The hunt is over, and I hear the Call to Prayer
fade into that of the wounded gazelle tonight.

My rivals for your love—you’ve invited them all?
This is mere insult, this is no farewell tonight.

And I, Shahid, only am escaped to tell thee—
God sobs in my arms. Call me Ishmael tonight.

[Soon]

Common Magic


Your best friend falls in love
and her brain turns to water.
You can watch her lips move,
making the customary sounds,
but you can see they're merely
words, flimsy as bubbles rising
from some golden sea where she
swims sleek and exotic as a mermaid.

It's always like that.
You stop for lunch in a crowded
restaurant and the waitress floats
toward you. You can tell she doesn't care
whether you have the baked or french-fried
and you wonder if your voice comes
in bubbles too.

It's not women either. Or love
for that matter. The old man
across from you on the bus holds
a young child on his knee; he is singing
to her and his voice is a small boy
turning somersaults in the green
country of his blood.
It's only when the driver calls his stop
that he emerges into this puzzle
of brick and tiny hedges. Only then
you notice his shaking hands, his need
of the child to guide him home.

All over the city
you move in your own seasons
through the seasons of others: old women faces
clawed by weather you can't feel
clack dry tongues at passersby
while adolescente seethe
in their glassy atmospheres of anger.

In parks, the children
are alien life-forms, rooted
in the galaxies they're grown through
to get here. Their games weave
the interface and their laughter
tickles that part of your brain where smells
are hidden and the nuzzling textures of things.

It's a wonder that anything gets done
at all: a mechanic flails
at the muffler of your car
through whatever storm he's trapped inside
and the mailman stares at numbers
from the haze of a distant summer.

Yet somehow letters arrive and buses
remember their routes. Banks balance.
Mangoes ripen on the supermarket shelves.
Everyone manages. You gulp the thin air
of this planet as if it were the only
one you knew. Even the earth you're
standing on seems solid enough.
It's always the chance word, unthinking
gesture that unlocks the face before you.
Reveals intricate countries
deep within the eyes. The hidden
lives, like sudden miracles,
that breathe there.


Bronwen Wallace



(p.s. the last poem I posted is by L. Cohen; forgot to put the author!)

[Spirit Dancer]

A Study (A Soul) by Christina Rossetti


She stands as pale as Parian statues stand;
Like Cleopatra when she turned at bay,
And felt her strength above the Roman sway,
And felt the aspic writhing in her hand.
Her face is steadfast toward the shadowy land,
For dim beyond it looms the light of day;
Her feet are steadfast; all the arduous way
That foot-track hath not wavered on the sand.
She stands there like a beacon thro' the night,
A pale clear beacon where the storm-drift is;
She stands alone, a wonder deathly white;
She stands there patient, nerved with inner might,
Indomitable in her feebleness,
Her face and will athirst against the light.

[Spirit Dancer]

By The Sea by Christina Rossetti


Why does the sea moan evermore?
Shut out from heaven it makes its moan,
It frets against the boundary shore;
All earth's full rivers cannot fill
The sea, that drinking thirsteth still.

Sheer miracles of loveliness
Lie hid in its unlooked-on bed:
Anemones, salt, passionless,
Blow flower-like; just enough alive
To blow and multiply and thrive.

Shells quaint with curve, or spot, or spike,
Encrusted live things argus-eyed,
All fair alike, yet all unlike,
Are born without a pang, and die
Without a pang, and so pass by.

[Soon]

Is/Not

Love is not a profession
genteel or otherwise

sex is not dentistry
the slick filling of aches and cavities

you are not my doctor
you are not my cure,

nobody has that
power, you are merely a fellow/traveller

Give up this medical concern,
buttoned, attentive,

permit yourself anger
and permit me mine

which needs neither
your approval nor your suprise

which does not need to be made legal
which is not against a disease

but agaist you,
which does not need to be understood

or washed or cauterized,
which needs instead

to be said and said.
Permit me the present tense.

Margaret Atwood

[evolveme]

Not the butterfly wing, the semiprecious stones,
the shard of mirror,

not the cabinet of curiosities built with secret drawers
to reveal and conceal its contents,

but the batture, the rope swing, the rusted barge
sunk at the water’s edge

or the park’s Live Oaks you walked through
with the forbidden man

or the pink-shuttered house on the streetcar line
where you were married

or the green shock of land off I-10, road leading
you away from home.

Not any of this
but a cot at the Superdome sunk in a dumpster

and lace valances from a Lakeview kitchen where water
rose six feet high inside and a refrigerator wrapped in duct tape lying
in the dirt of a once-yard

and a Blue Roof and a house marked 0 and a

kitchen clock stopped at the time the hurricane hit.

Because, look, none of this fits
in a dark wood cabinet for safekeeping.

This is an installation
for dismantling
—never seen again.

[femmedyke]

"Look, the trees
are turning
their own bodies
into pillars

of light,
are giving off the rich
fragrance of cinnamon
and fulfillment,

the long tapers
of cattails
are bursting and floating away over
the blue shoulders

of the ponds,
and every pond,
no matter what its
name is, is

nameless now.
Every year
everything
I have ever learned

in my lifetime
leads back to this: the fires
and the black river of loss
whose other side

is salvation,
whose meaning
none of us will ever know.
To live in this world

you must be able
to do three things:
to love what is mortal;
to hold it

against your bones knowing
your own life depends on it;
and, when the time comes to let it go,
to let it go."
— Mary Oliver

[JakeTulane]

POEM
The Testing-Tree

by Stanley Kunitz

1
On my way home from school
up tribal Providence Hill
past the Academy ball park
where I could never hope to play
I scuffed in the drainage ditch
among the sodden seethe of leaves
hunting for perfect stones
rolled out of glacial time
into my pitcher’s hand;
then sprinted lickety-
split on my magic Keds
from a crouching start,
scarcely touching the ground
with my flying skin
as I poured it on
for the prize of the mastery
over that stretch of road,
with no one no where to deny
when I flung myself down
that on the given course
I was the world’s fastest human.


2
Around the bend
that tried to loop me home
dawdling came natural
across a nettled field
riddled with rabbit-life
where the bees sank sugar-wells
in the trunks of the maples
and a stringy old lilac
more than two stories tall
blazing with mildew
remembered a door in the
long teeth of the woods.
All of it happened slow:
brushing the stickseed off,
wading through jewelweed
strangled by angel’s hair,
spotting the print of the deer
and the red fox’s scats.

Once I owned the key
to an umbrageous trail
thickened with mosses
where flickering presences
gave me right of passage
as I followed in the steps
of straight-backed Massassoit
soundlessly heel-and-toe
practicing my Indian walk.


3
Past the abandoned quarry
where the pale sun bobbed
in the sump of the granite,
past copperhead ledge,
where the ferns gave foothold,
I walked, deliberate,
on to the clearing,
with the stones in my pocket
changing to oracles
and my coiled ear turned
to the slightest leaf-stir.
I had kept my appointment.
There stood in the shadow,
at fifty measured paces,
of the inexhaustible oak,
tyrant and target,
Jehovah of acorns,
watchtower of the thunders,
that locked King Philip’s War
in its annulated core
under the cut of my name.
Father wherever you are
I have only three throws
bless my good right arm.
In the haze of afternoon,
while the air flowed saffron,
I played my game for keeps—
for love, for poetry,
and for eternal life—
after the trials of summer.


4
In the recurring dream
my mother stands
in her bridal gown
under the burning lilac,
with Bernard Shaw and Bertie
Russell kissing her hands;
the house behind her is in ruins;
she is wearing an owl’s face
and makes barking noises.
Her minatory finger points.
I pass through the cardboard doorway
askew in the field
and peer down a well
where an albino walrus huffs.
He has the gentlest eyes.
If the dirt keeps sifting in,
staining the water yellow
why should I be blamed?
Never try to explain.
That single Model A
sputtering up the grade
unfurled a highway behind
where the tanks maneuver,
revolving their turrets.
In a murderous time
the heart breaks and breaks
and lives by breaking.
It is necessary to go
through dark and deeper dark
and not to turn.
I am looking for the trail.
Where is my testing-tree?
Give me back my stones!

[Lady_Wu]

Tell all the truth but tell it slant-
Success in circuit lies
Too bright for our infirm Delight
The Truth's superb Surprise

As Lightning to the Children eased
With explanation kind
The Truth must dazzle gradually
Or every man be blind-
(Emily Dickinson)
Lady_Wu

[Enigma]

Lost in the forest, I broke off a dark twig
and lifted its whisper to my thirsty lips:
maybe it was the voice of the rain crying,
a cracked bell, or a torn heart.

Something from far off it seemed
deep and secret to me, hidden by the earth,
a shout muffled by huge autumns,
by the moist half-open darkness of the leaves.

Wakening from the dreaming forest there, the hazel-sprig
sang under my tongue, its drifting fragrance
climbed up through my conscious mind

as if suddenly the roots I had left behind
cried out to me, the land I had lost with my childhood---
and I stopped, wounded by the wandering scent.

~ Pablo Neruda ~

.

[Spirit Dancer]

A Brook in the City
by: Robert Frost (1874-1963)




THE farm house lingers, though averse to square
With the new city street it has to wear
A number in. But what about the brook
That held the house as in an elbow-crook?
I ask as one who knew the brook, its strength
And impulse, having dipped a finger length
And made it leap my knuckle, having tossed
A flower to try its currents where they crossed.
The meadow grass could be cemented down
From growing under pavements of a town;
The apple trees be sent to hearth-stone flame.
Is water wood to serve a brook the same?
How else dispose of an immortal force
No longer needed? Staunch it at its source
With cinder loads dumped down? The brook was thrown
Deep in a sewer dungeon under stone
In fetid darkness still to live and run--
And all for nothing it had ever done
Except forget to go in fear perhaps.
No one would know except for ancient maps
That such a brook ran water. But I wonder
If from its being kept forever under
The thoughts may not have risen that so keep
This new-built city from both work and sleep.

[femmedyke]

Self Pity

I never saw a wild thing
sorry for itself.
A small bird will drop frozen dead from a bough
without ever having felt sorry for itself.

[Spirit Dancer]

Alone


by Edgar Allan Poe
(published 1875)




From childhood's hour I have not been
As others were -- I have not seen
As others saw -- I could not bring
My passions from a common spring --
From the same source I have not taken
My sorrow -- I could not awaken
My heart to joy at the same tone --
And all I lov'd -- I lov'd alone --
Then -- in my childhood -- in the dawn
Of a most stormy life -- was drawn
From ev'ry depth of good and ill
The mystery which binds me still --
From the torrent, or the fountain --
From the red cliff of the mountain --
From the sun that 'round me roll'd
In its autumn tint of gold --
From the lightning in the sky
As it pass'd me flying by --
From the thunder, and the storm --
And the cloud that took the form
(When the rest of Heaven was blue)
Of a demon in my view --

[nycfem]

I love Poe! This is a wonderful poem!

Originally Posted by Spirit Dancer

Alone


by Edgar Allan Poe
(published 1875)




From childhood's hour I have not been
As others were -- I have not seen
As others saw -- I could not bring
My passions from a common spring --
From the same source I have not taken
My sorrow -- I could not awaken
My heart to joy at the same tone --
And all I lov'd -- I lov'd alone --
Then -- in my childhood -- in the dawn
Of a most stormy life -- was drawn
From ev'ry depth of good and ill
The mystery which binds me still --
From the torrent, or the fountain --
From the red cliff of the mountain --
From the sun that 'round me roll'd
In its autumn tint of gold --
From the lightning in the sky
As it pass'd me flying by --
From the thunder, and the storm --
And the cloud that took the form
(When the rest of Heaven was blue)
Of a demon in my view --

[Duchess]

She Walks in Beauty
~Lord Byron

She walks in beauty, like the night
Of cloudless climes and starry skies;
And all that's best of dark and bright
Meet in her aspect and her eyes:
Thus mellowed to that tender light
Which heaven to gaudy day denies.

One shade the more, one ray the less,
Had half impaired the nameless grace
Which waves in every raven tress,
Or softly lightens o'er her face;
Where thoughts serenely sweet express
How pure, how dear their dwelling place. And on that cheek, and o'er that brow,
So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
But tell of days in goodness spent,
A mind at peace with all below,
A heart whose love is innocent!

[MysticOceansFL]

Originally Posted by femmedyke

Self Pity

I never saw a wild thing
sorry for itself.
A small bird will drop frozen dead from a bough
without ever having felt sorry for itself.

That quote was also in the movie GI Jane

[Soon]

To Be In Love

To be in love
Is to touch with a lighter hand.
In yourself you stretch, you are well.
You look at things
Through his eyes.
A cardinal is red.
A sky is blue.
Suddenly you know he knows too.
He is not there but
You know you are tasting together
The winter, or a light spring weather.
His hand to take your hand is overmuch.
Too much to bear.
You cannot look in his eyes
Because your pulse must not say
What must not be said.
When he
Shuts a door-
Is not there_
Your arms are water.
And you are free
With a ghastly freedom.
You are the beautiful half
Of a golden hurt.
You remember and covet his mouth
To touch, to whisper on.
Oh when to declare
Is certain Death!
Oh when to apprize
Is to mesmerize,
To see fall down, the Column of Gold,
Into the commonest ash.


--Gwendolyn Brooks