Your Favorite Poems

[Hollylane]

Daffodils

by William Wordsworth


I wandered lonely as a cloud
That floats on high o'er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.

Continuous as the stars that shine
And twinkle on the Milky Way,
They stretched in never-ending line
Along the margin of the bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.

The waves beside them danced, but they
Out-did the sparkling waves in glee:
A poet could not but be gay,
In such a jocund company:
I gazed - and gazed - but little thought
What wealth the show to me had brought:

For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.

[SoNotHer]

All Hallows Night
by Lizette Woodworth Reese

Two things I did on Hallows Night:—
Made my house April-clear;
Left open wide my door
To the ghosts of the year.

Then one came in. Across the room
It stood up long and fair—
The ghost that was myself—
And gave me stare for stare.

[SoNotHer]

Macbeth, Act IV, Scene I
by William Shakespeare

(The three witches, casting a spell)

Round about the cauldron go;
In the poison’d entrails throw.
Toad, that under cold stone
Days and nights hast thirty one
Swelter’d venom sleeping got,
Boil thou first i’ the charmed pot.

Double, double toil and trouble;
Fire burn and cauldron bubble.

Fillet of a fenny snake,
In the cauldron boil and bake;
Eye of newt, and toe of frog,
Wool of bat, and tongue of dog,
Adder’s fork, and blind-worm’s sting,
Lizard’s leg, and howlet’s wing,
For a charm of powerful trouble,
Like a hell-broth boil and bubble.

Double, double toil and trouble;
Fire burn and cauldron bubble.

[Hollylane]

All Hallow's Eve

On All Hallows' Eve
the dead will arise
to walk the earth
amidst you and I,
Barriers are breached
'tween their world and ours
as lost souls flow forth
and cause men to cower,
The Lord of the Dead
releases their bonds
to roam the creation
from dusk until dawn
The Evil of the night
is kept at bay
by fashioned masks
bearing unholy traits
while candles are lit
so the spirits may find
the family and friends
they left behind,
Listen to the whispers
in songs on the wind,
They'll reveal your future
if you welcome them in,
The dearly departed
are invited to feast,
or tricks will be played
if you deny them a treat,
Forgotten are the tales
the elders once weaved,
but they come back to haunt
on All Hallows' Eve.

Jack E. Bilek

[SoNotHer]

From Out the Cave

by Joyce Sutphen

When you have been
at war with yourself
for so many years that
you have forgotten why,
when you have been driving
for hours and only
gradually begin to realize
that you have lost the way,
when you have cut
hastily into the fabric,
when you have signed
papers in distraction,
when it has been centuries
since you watched the sun set
or the rain fall, and the clouds,
drifting overhead, pass as flat
as anything on a postcard;
when, in the midst of these
everyday nightmares, you
understand that you could
wake up,
you could turn
and go back
to the last thing you
remember doing
with your whole heart:
that passionate kiss,
the brilliant drop of love
rolling along the tongue of a green leaf,
then you wake,
you stumble from your cave,
blinking in the sun,
naming every shadow
as it slips.

[SoNotHer]

Bats
by Paisley Rekdal

unveil themselves in dark.
They hang, each a jagged,

silken sleeve, from moonlit rafters bright
as polished knives. They swim

the muddled air and keen
like supersonic babies, the sound

we imagine empty wombs might make
in women who can’t fill them up.

A clasp, a scratch, a sigh.
They drink fruit dry.

And wheel, against feverish light flung hard
upon their faces,

in circles that nauseate.
Imagine one at breast or neck,

Patterning a name in driblets of iodine
that spatter your skin stars.

They flutter, shake like mystics.
They materialize. Revelatory

as a stranger’s underthings found tossed
upon the marital bed, you tremble

even at the thought. Asleep,
you tear your fingers

and search the sheets all night.

[Cin]

Take This Waltz (1980-1993)

Leonard Cohen - Lyrics based on the Federico Garcia Lorca's poem "Little Viennese Waltz" - (Pequeno Vals Vienes)

Leonard Cohen’s explanation: "With the Lorca poem, the translation took 150 hours, just to get it into English that resembled - I would never presume to say duplicated - the greatness of
Lorca's poem. It was a long, drawn-out affair, and the only reason I would
even attempt it is my love for Lorca. I loved him as a kid; I named my
daughter Lorca, so you can see this is not a casual figure in my life."

Take This Waltz

Words L. Cohen, after Lorca.

Now in Vienna there's ten pretty women
There's a shoulder where Death comes to cry
There's a lobby with nine hundred windows
There's a tree where the doves go to die
There's a piece that was torn from the morning
And it hangs in the Gallery of Frost

Ay, Ay, Ay, Ay
Take this waltz, take this waltz
Take this waltz with the clamp on its jaws

Oh I want you, I want you, I want you
On a chair with a dead magazine
In the cave at the tip of the lily
In some hallways where love's never been
On a bed where the moon has been sweating
In a cry filled with footsteps and sand

Ay, Ay, Ay, Ay
Take this waltz, take this waltz
Take its broken waist in your hand

This waltz, this waltz, this waltz, this waltz
With its very own breath of brandy and Death
Dragging its tail in the sea

There's a concert hall in Vienna
Where your mouth had a thousand reviews
There's a bar where the boys have stopped talking
They've been sentenced to death by the blues
Ah, but who is it climbs to your picture
With a garland of freshly cut tears?

Ay, Ay, Ay, Ay
Take this waltz, take this waltz
Take this waltz it's been dying for years

There's an attic where children are playing
Where I've got to lie down with you soon
In a dream of Hungarian lanterns
In the midst of some sweet afternoon
And I'll see what you've chained to your sorrow
All your sheep and your lilies of snow


Pequeno Vals Vienes
by Federico Garcia Lorca

En Viena hay diez muchachas,
un hombro donde solloza la muerte
y un bosque de palomas disecadas.
Hay un fragmento de la manana
en el mueso de la escarcha
Hay un salon con mil ventanas

Ay, ay, ay, ay,
Toma este vals con la boca cerrada

Este vals, este vals, este vals,
de si, de muerte y de conac
que moja su cola en el mar

Te quiero, te quiero, te quiero,
con la butaca y el libro muerto,
por el melancolico pasillo
en el oscuro desvan del lirio,
en nuestra cama de la luna
y en la danza que suena la tortuga.

Ay, ay, ay, ay,
Toma este vals con la boca cerrada

En Viena hay cuatro espejos
donde juegan tu boca y los ecos,
Hay una muerte para piano,
que pinta de azul a los muchachos.
Hay mendigos por los tejados
Hay frescas guirnaldas de llanto

Ay, ay, ay, ay,
Toma este vals con la boca cerrada

Porque te quiero, te quiero, amor mio,
en el desvan donde juegan los ninos,
sonando viejas luces de Hungria
por los rumores de la tarde tibia,
viendo ovejas y lirios de nieve
por el silencio oscuro de tu frente.

Ay, ay, ay, ay,
Toma este vals con la boca cerrada

En viena bailare contigo
con un disfraz que tenga
cabeza de rio.
Mira que orillas tengo de jacintos
Dejare mi boca entre tus piernas,
mi alma en fotografias y azucenas,
y en las ondas oscuras de tu andar
quiero, amor mio, amor mio, dejar,
violin y sepulcro, las cintas del vals.