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Poetry Please start one thread for your own poetry and just add to it! |
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#1 |
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I will love you.
And you will have no say in the matter. You will be sitting reading. I will step through the wall and take you by the ears. Gold Latin will come out of your mouth. Years will pass. We will be old. I will have loved you, against my nature, no other being worthy, thrown as I am on my own powers, alone there. And as we sit together reading you will say “Did you really love me?” And I will be terrified. By Stan Rice |
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Bend down, bend down. Excess is the only ease,
so bend. The sun is in the tree. Put your mouth on mine. Bend down beam & slash, for Dread is dreamed-up-scenes of what comes after death. Is being fled from what bends down in pain. The elbow bends in the brain, lifts the cup. The worst is yet to dream you up, so bend down the intrigue you dreamed. Flee the hayneedle in the brain's tree. Excess allures by leaps. Stars burn clean. Oriole bitches and gleams. Dread is the fear of being less forever. So bend. Bend down and kiss what you see. By Stan Rice |
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#3 |
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I Do Not Love You Except Because I Love You
Pablo Neruda I do not love you except because I love you; I go from loving to not loving you, From waiting to not waiting for you My heart moves from cold to fire. I love you only because it's you the one I love; I hate you deeply, and hating you Bend to you, and the measure of my changing love for you Is that I do not see you but love you blindly. Maybe January light will consume My heart with its cruel Ray, stealing my key to true calm. In this part of the story I am the one who Dies, the only one, and I will die of love because I love you, Because I love you, Love, in fire and blood. ![]()
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Cien Sonetos de Amor - XVII
Pablo Neruda I do not love you as one loves the salt-rose, or topaz, or carnations, those darts of crimson struck from the fire. I love you as certain things are loved: darkly and in secret, between dusk and the soul. I love you - like a plant that does not bloom but bears within itself, concealed, the light of flowers. Because of your love, a fierce essence, arisen from the earth, is alive within my flesh. I love you - without knowing how, when, where; I love you simply, without question, without pride. I love you thus because I know no other way of loving except this, where there is neither You nor I-- so intimate that your hand laid upon my chest is my own, so intimate that when I dream it is your eyes that close.
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#5 |
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Paul VERLAINE
(1844-1896) ( Poèmes saturniens) Chanson d'automne Les sanglots longs Des violons De l'automne Blessent mon coeur D'une langueur Monotone. Tout suffocant Et blême, quand Sonne l'heure, Je me souviens Des jours anciens Et je pleure Et je m'en vais Au vent mauvais Qui m'emporte Deçà, delà, Pareil à la Feuille morte. A litteral translation (translating a poem is always difficult and never really do it justice): http://www.textetc.com/workshop/wt-verlaine-1.html Song of Autumn The long sobs Of the violins Of autumn Wound my heart With a monotonous [Lethargy]. All suffocating And pale when The hour strikes I remember The old days And weep And I go away In the ill wind that carries me off This side and beyond Like the Dead leaf. |
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#6 |
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Sex Without Love
How do they do it, the ones who make love without love? Beautiful as dancers, gliding over each other like ice-skaters over the ice, fingers hooked inside each other's bodies, faces red as steak, wine, wet as the children at birth whose mothers are going to give them away. How do they come to the come to the come to the God come to the still waters, and not love the one who came there with them, light rising slowly as steam off their joined skin? These are the true religious, the purists, the pros, the ones who will not accept a false Messiah, love the priest instead of the God. They do not mistake the lover for their own pleasure, they are like great runners: they know they are alone with the road surface, the cold, the wind, the fit of their shoes, their over-all cardio- vascular health--just factors, like the partner in the bed, and not the truth, which is the single body alone in the universe against its own best time. by Sharon Olds |
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Beneath My Hands
Beneath my hands your small breasts are the upturned bellies of breathing fallen sparrows. Wherever you move I hear the sounds of closing wings of falling wings. I am speechless because you have fallen beside me because your eyelashes are the spines of tiny fragile animals. I dread the time when your mouth begins to call me hunter. When you call me close to tell me your body is not beautiful I want to summon the eyes and hidden mouths of stone and light and water to testify against you. I want them to surrender before you the trembling rhyme of your face from their deep caskets. When you call me close to tell me your body is not beautiful I want my body and my hands to be pools for your looking and laughing. --Leonard Cohen |
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#8 |
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![]() An Invisible Connection What is this magical bond we share? Amidst the constant circus like avalanche of words, How did you know? Once like you stable and secure, He is older, yet betrothed to your dream, Faithful to uncertainty, A spirit yearning to be free. His subtle words lodge in your thought. Why did you pick this stranger With a hunger that you can not see? A young woman's hair kisses the breeze, Her dignity conceals the distance in her gaze. Is it possible that a simple innocent radiant smile, Or a crazy serendipitous verse, Could bring two people so diverse To where we find ourselves today? Strangers once to our own lives, At ease with the depth of our own emptiness, How unlikely it is that we are here It's quiet tonight, light raindrops filter through the leaves Washing away the dust, releasing fragrances On which the gentle breeze sweetens The kind of night you wish you were with the one you love Nestled close to the open fire Watching the moon duck in and out of the white cotton clouds Caressing and holding each other gently Breath silently quivering collect; Once locked away behind iron clad doors, Feelings and emotions stir, Disguised by layers of pain and ruin Two hearts awaken. A gentle, loving, knowing kiss; Bound together forever. Jeff Demos
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#9 |
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Beneath My Hands
Beneath my hands your small breasts are the upturned bellies of breathing fallen sparrows. Wherever you move I hear the sounds of closing wings of falling wings. I am speechless because you have fallen beside me because your eyelashes are the spines of tiny fragile animals. I dread the time when your mouth begins to call me hunter. When you call me close to tell me your body is not beautiful I want to summon the eyes and hidden mouths of stone and light and water to testify against you. I want them to surrender before you the trembling rhyme of your face from their deep caskets. When you call me close to tell me your body is not beautiful I want my body and my hands to be pools for your looking and laughing. --Leonard Cohen
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#10 |
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I know it may not be the best time
To reveal my heart and cross that line But I am in love with you And see in your eyes, you feel it too. I can't tell you I'll never hurt you But can promise I never mean to. I can't guarantee forever and a day But I'll do everything I can to make it that way. No matter where you are or what your doing If you miss me, all you have to do is make the phone ring I'll answer your call and calm your fears And offer to hold you in my arms for the rest of our years. The more "you" you are, the more I become the true "me" As we spend time together and share that special energy. Any situation that arises, we can weather for all rules fade away once we just exist together. We have the freedom to love, plan, and dream Without worry of what it all might mean. I really do wish to know you forever As my friend, counterpart, and lover. I hope as you work on becoming the person you want to be You don't forget about the little things in your time with me. |
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#11 |
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![]() If you want a lover I'll do anything you ask me to And if you want another kind of love I'll wear a mask for you If you want a partner Take my hand Or if you want to strike me down in anger Here I stand I'm your man If you want a boxer I will step into the ring for you And if you want a doctor I'll examine every inch of you If you want a driver Climb inside Or if you want to take me for a ride You know you can I'm your man Ah, the moon's too bright The chain's too tight The beast won't go to sleep I've been running through these promises to you That I made and I could not keep Ah but a man never got a woman back Not by begging on his knees Or I'd crawl to you baby And I'd fall at your feet And I'd howl at your beauty Like a dog in heat And I'd claw at your heart And I'd tear at your sheet I'd say please, please I'm your man And if you've got to sleep A moment on the road I will steer for you And if you want to work the street alone I'll disappear for you If you want a father for your child Or only want to walk with me a while Across the sand I'm your man If you want a lover I'll do anything you ask me to And if you want another kind of love I'll wear a mask for you *Cohen also set this to music. Very cool song! |
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#12 |
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Enigmas, Pablo Neruda
You've asked me what the lobster is weaving there with his golden feet? I reply, the ocean knows this. You say, what is the ascidia waiting for in its transparent bell? What is it waiting for? I tell you it is waiting for time, like you. You ask me whom the Macrocystis alga hugs in its arms? Study, study it, at a certain hour, in a certain sea I know. You question me about the wicked tusk of the narwhal, and I reply by describing how the sea unicorn with the harpoon in it dies. You enquire about the kingfisher's feathers, which tremble in the pure springs of the southern tides? Or you've found in the cards a new question touching on the crystal architecture of the sea anemone, and you'll deal that to me now? You want to understand the electric nature of the ocean spines? The armored stalactite that breaks as it walks? The hook of the angler fish, the music stretched out in the deep places like a thread in the water? I want to tell you the ocean knows this, that life in its jewel boxes is endless as the sand, impossible to count, pure, and among the blood-colored grapes time has made the petal hard and shiny, made the jellyfish full of light and untied its knot, letting its musical threads fall from a horn of plenty made of infinite mother-of-pearl. I am nothing but the empty net which has gone on ahead of human eyes, dead in those darknesses, of fingers accustomed to the triangle, longitudes on the timid globe of an orange. I walked around as you do, investigating the endless star, and in my net, during the night, I woke up naked, the only thing caught, a fish trapped inside the wind
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#13 |
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Pablo Neruda
Poema XV Me gustas cuando callas porque estás como ausente, y me oyes desde lejos, y mi voz no te toca. Parece que los ojos se te hubieran volado y parece que un beso te cerrara la boca. Como todas las cosas están llenas de mi alma, emerges de las cosas, llena del alma mía. Mariposa de sueño, te pareces a mi alma, y te pareces a la palabra melancolía. Me gustas cuando callas y estás como distante. Y estás como quejándote, mariposa en arrullo. Y me oyes desde lejos, y mi voz no te alcanza: Déjame que me calle con el silencio tuyo. Déjame que te hable también con tu silencio claro como una lámpara, simple como un anillo. Eres como la noche, callada y constelada. Tu silencio es de estrella, tan lejano y sencillo. Me gustas cuando callas porque estás como ausente. Distante y dolorosa como si hubieras muerto. Una palabra entonces, una sonrisa bastan. Y estoy alegre, alegre de que no sea cierto. Poem XV I like it when you're quiet. It's as if you weren't here now, and you heard me from a distance, and my voice couldn't reach you. It's as if your eyes had flown away from you, and as if your mouth were closed because I leaned to kiss you. Just as all living things are filled with my soul. you emerge from all living things filled with the soul of me. It's as if, a butterfly in dreams, you were my soul, and as if you were the soul's word, melancholy. I like it when you're quiet. It's as if you'd gone away now, And you'd become the keening, the butterfly's insistence, And you heard me from a distance and my voice didn't reach you. It's then that what I want is to be quiet with your silence. It's then that what I want is to speak to you your silence in a speech as clear as lamplight, as plain as a gold ring. You are quiet like the night, and like the night you're star-lit. Your silences are star-like, they're a distant and a simple thing. I like it when you're quiet. It's as if you weren't here now. As if you were dead now, and sorrowful, and distant. A word then is sufficient, or a smile, to make me happy, Happy that it seems so certain that you're present. |
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Rapewagon
________________________________________ You decided to tell me, in a '93 Ford wagon, blue, after two years together, two, now we're through. You decided to tell me, going 70, on the interstate, flying a million-miles faster, than minds anticipate... after two years together, it's you who escaped. fuck you, I love you You decided to tell me, inside your car, trapped, while you rape me... might as well rape me... I wish you would rape me... you brought me this far. |
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#15 |
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When, in disgrace with fortune and men’s eyes,
I all alone beweep my outcast state, And trouble deaf heaven with my bootless cries, And look upon myself and curse my fate, Wishing me like to one more rich in hope, Featured like him, like him with friends possessed, Desiring this man’s art and that man’s scope, With what I most enjoy contented least; Yet in these thoughts myself almost despising, Haply I think on thee, and then my state, (Like to the lark at break of day arising From sullen earth) sings hymns at heaven’s gate; For thy sweet love remembered such wealth brings That then I scorn to change my state with kings. William Shakespeare |
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#16 |
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She tells me
she's leaving-- says it's "a good thing" and in those words I understand the reason burrowed beneath the bravery. To many it seems a death for mourning... (this parting of ways) truth is-- the dying is done, only deepened by the staying. It takes far less courage to stir the ashes; it takes much more wisdom to stand and cast them away... once the ashtray of love is full. codajae |
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![]() The Eye of the Soul I judge you not by what you wear, Whether your garment is of rag or riches, Or your skin is of a color white or black, Whether you wear some gold or trinkets, Or decorate yourself with stones and diamonds, I see you with the eye of Soul. I know you, for who you are inside of you, Not for your smiles, for smiles could be false, Not for your looks, for looks could deceive, Not for your appearance, for that won’t last, And not for your clothes, for that only covers. I see you with the eye of Soul. I am a friend to that you inside of you, Indifferent to your dose of limitations, Forgiving to your human flaws of character Unyielding to rumors and gossips about you For the eye within sees even more, I see you with the eye of Soul. By Oliver O. Mbamara
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- Bomb Shell-
"Different eyes, life-styles and lies. A roller coaster of sorts, seems to be a last resort. All so easily gained, with one drop of blood and a sliver of pain. A little bit crazy, like a hot summer day...a little bit lazy when you're slipping away. She's so soft, like a crickets' serenade. But she's not quite so stable, a walking grenade. A blow to the head. Leaves one wondering why, with a faint, hopefilled voice, and a dark, scary sky. So uncomparable, by any other means, but it all turns out different for others...it seems." -Billy- |
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Boston Ancestors
by Susan Minot I hear them behind me crossing Persian rugs on heel-less shoes, drinking Dubonnet, eating nuts (from the pantry the smell of stew), talking about naval battles and varsity crew, their voices raspy with cigars in underheated rooms. Someone sewed their eyes shut with needlepoint thread and when they speak they make up for it in booming tones. It is somewhere out of them alive or dead I have sprung. Yet not a person there seems to recognize me. Not one. |
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![]() Solar By Robin Becker The desert is butch, she dismisses your illusions about what might do to make your life work better, she stares you down and doesn’t say a word about your past. She brings you a thousand days, a thousand suns effortlessly each morning rising. She lets you think what you want all afternoon. Rain walks across her mesa, red-tailed hawks writhe in fields of air, she lets you look at her. She laughs at your study habits, your orderly house, your need to name her “vainest woman you’ve ever met.” Then she turns you toward the voluptuous valleys, she gives you dreams of green forests, she doesn’t care who else you love. She sings in the grass, the sagebrush, the small trees struggling and the tiny lizards scrambling up the walls. You find her when you’re ready in the barbed wire and fence posts, on the scrub where you walk with your parched story, where she walks, spendthrift, tossing up sunflowers, throwing her indifferent shadow across the mountain. Haven’t you guessed? She’s the loneliest woman alive but that’s her gift; she makes you love your own loneliness, the gates to darkness and memory. She is your best, indifferent teacher, she knows you don’t mean what you say. She flings aside your technical equipment, she requires you to survive in her high country like the patient sheep and cattle who graze and take her into their bodies. She says lightning, and get used to it. Her storms are great moments in the history of American weather, her rain remakes the world, while your emotional life is run-off from a tin roof. Like the painted clown at Picuris Pueblo who started up the pole and then dropped into the crowd, anonymous, she paws the ground, she gallops past. What can you trust? This opening, this returning, this arroyo, this struck gong inside your chest? She wants you to stay open like the hibiscus that opens its orange petals for a single day. At night, a fool, you stand on the chilly mesa, split open like the great cleft of the Rio Grande Gorge, trying to catch a glimpse of her, your new, long-term companion. She gives you a sliver of moon, howl of a distant dog, windy premonition of winter.
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