Your Favorite Poems

[PoeticSilence]

Something I found ridiculously beautiful:



THE END
by Victoria Redel

At the end of the marriage they lay down on their big, exhausted bed.
It was crowded with all the men and women they had ever loved.

Of course their fathers and mothers were there and a boy in uniform
she'd kissed on a stairwell. His first wife spooned her first husband.

Ridiculous Affair held hands with Stupendous Infatuation.
There was a racket of dreaming and, though both were tired

from the difficult end and in need of sleep, neither could sleep,
so they began telling each other the long, good story of their love.

She was wearing the red dress. The white boat hitched to the wood dock
filled with rainwater. The swans were again teaching the young to fly.

The story went out to nice dinners, took summer holidays, and by the time
they were done, the old loves rolled over in a jumble on the floor,

and, because this is what they knew to do well with one another,
they made love, and then without thinking it was the last time, said,

I love you, and fell asleep under the heavy, blue coverlet.

"The End" by Victoria Redel, from Woman Without Umbrella. © Four Way Books, 2012. Reprinted with without permission

[PoeticSilence]

LEGS
by Joseph Harker

A man walks into the cafe on a Pair Of Legs.
These are the kind of legs that demand metaphor:
legs drifting in like the masts of capsized ships,
legs like walnut saplings in the churchyard.
What is it about a pair of legs that enchants a person?
Or any body part: for he also has arms, knuckles,
upper lip, cropped nape, but it’s the legs that get me.
His legs resist like longbows. Running shorts show
one bronze, fresh-mowed leg with Hebrew tracery
tattooed round the thigh. What’s “nice legs”
in Hebrew? How do you compliment a stranger’s legs
without sounding strange? I know the legs of women
are up for constant debate, the apparition of their legs
traded on the commodities market by leg-men
whistling as they dig the street, knowing good legs
and thinking they’ve something to prove. Legs, though,
have never inspired me until These Legs. I was never
a vulgar leg-admirer hooting at the passerby.
Can one man worship the legs of another, lay kisses
on the saintly knees? And why couldn’t legs be
that once-in-a-lifetime quality? Well-legged can mean
marriageable. Good legs make men dependable,
worldly, and these legs could be wandering monuments,
sculptural as they are. I feel I am discovering legs
for the first time. I’m seeing legs, legs, suddenly
I am judging everyone by the curve of their legs,
sitting here shaking at the injustice of subpar legs,
of overgrown and shapeless legs milling about
this man with Dead Sea Legs as he stands, stretches,
pays for his coffee, scratches his one tattooed leg,
that alphabet leg!, flexing and spinning him away
like a gyroscope, out the door, his Legs gone and him
gone with them.


"LEGS" by Joseph Harker reprinted without permission from his blog Naming Constellations entry dated 7/19/2013
-----please see: http://creativecommons.org/licenses/...3.0/deed.en_US -----

(I'll note that the writer claims he wrote this one for fun and tried to fit the word leg(s) into every line)

[Fancy]

[PoeticSilence]

The Sky

Holding the sky above our heads,
separating it from the earth -
it's an important job
and someone has to do it.
Only the most reliable
and aspiring souls
are given such employment.
Their task to make us feel
that something must be up there,
beyond beyond,
cloaked
in white or grey or blue.

Distracted by the birds,
the agitation of the topmost twigs,
the souls ache. Ache
from the pressure of the sky

reprinted without permission, poetry by Moniza Alzi
This poem is taken from PN Review 141, Volume 28 Number 1, September - October 2001

[PoeticSilence]

Rule 15

what bothers you of course
beyond the smudges on your own window

isn’t so much the yuppies
with their walking poles

walking down your street
but the fact that

they’re not even using them
she just holds hers

both in one hand
and he’s sort of dragging

his behind him leaving
two scratched lines

down the sandy springtime sidewalk
here’s what I’d do

pull the wine from the cupboard
pour yourself a bucket

and head out to the porch
where you can criticize

more clearly


reprinted without permission, poetry by Ryan Vine
This poem is taken from Paper Darts Magazine Published on DateTuesday, September 11, 2012

[PoeticSilence]

54

I grew unwittingly apart
from the world in which I was born
and can no longer walk again
among the things of the earth.

We know that even love is a possession,
but we can’t keep from praying
that life will go on.
And we accept the poverty of our prayers.

I can possess nothing,
though I love
trees, clouds, people.

I can only discard
my overflowing heart—
hesitant to call that an act of love.

Reprinted without permission. One poem from "62 Sonnets" (1953) by Shuntaro Tanikawa copied from Thethepoetry.com 9/9/2011

[Talon]

~The Heart Of A Woman~





The heart of a woman goes forth with the dawn,
As a lone bird, soft winging, so restlessly on,
Afar o'er life's turrets and vales does it roam
In the wake of those echoes the heart calls home.

The heart of a woman falls back with the night,
And enters some alien cage in its plight,
And tries to forget it has dreamed of the stars
While it breaks, breaks, breaks on the sheltering bars.


~Georgia Johnson

[Fancy]

Monet Refuses the Operation
BY LISEL MUELLER


Doctor, you say there are no haloes
around the streetlights in Paris
and what I see is an aberration
caused by old age, an affliction.
I tell you it has taken me all my life
to arrive at the vision of gas lamps as angels,
to soften and blur and finally banish
the edges you regret I don’t see,
to learn that the line I called the horizon
does not exist and sky and water,
so long apart, are the same state of being.
Fifty-four years before I could see
Rouen cathedral is built
of parallel shafts of sun,
and now you want to restore
my youthful errors: fixed
notions of top and bottom,
the illusion of three-dimensional space,
wisteria separate
from the bridge it covers.
What can I say to convince you
the Houses of Parliament dissolve
night after night to become
the fluid dream of the Thames?
I will not return to a universe
of objects that don’t know each other,
as if islands were not the lost children
of one great continent. The world
is flux, and light becomes what it touches,
becomes water, lilies on water,
above and below water,
becomes lilac and mauve and yellow
and white and cerulean lamps,
small fists passing sunlight
so quickly to one another
that it would take long, streaming hair
inside my brush to catch it.
To paint the speed of light!
Our weighted shapes, these verticals,
burn to mix with air
and change our bones, skin, clothes
to gases. Doctor,
if only you could see
how heaven pulls earth into its arms
and how infinitely the heart expands
to claim this world, blue vapor without end.

[mythy]

My Favourite poem is Tennysons Lady of Shallot way to long to put on here, but it is beautiful.

[Jet]

THE HOUND FROM HEAVEN
by
Francis Thompson (1859-1907)

____________________________

I fled Him, down the nights and down the days;
I fled Him, down the arches of the years;
I fled Him, down the labyrinthine ways
Of my own mind; and in the mist of tears
I hid from Him, and under running laughter.
Up vistaed hopes I sped;
And shot, precipitated,
Adown Titanic glooms of chasemed fears,
From those strong Feet that followed, followed after.
But with unhurrying chase,
And unperturbèd pace,
Deliberate speed, majestic instancy,
They beat—and a Voice beat
More instant than the Feet--
"All things betray thee, who betrayest Me."

I pleaded, outlaw-wise,
By many a hearted casement, curtained red,
Trellised with intertwining charities
(For, though I knew His love Who followed,
Yet was I sore adread
Lest having Him, I must have naught beside);
But if one little casement parted wide,
The gust of His approach would clash it to.
Fear wist not to evade, as Love wist to pursue.
Across the margent of the world I fled,
And troubled the gold gateways of the stars,
Smiting for shelter on their clanged bars;
Fretted to dulcet jars
And silvern chatter the pale ports o' the moon.
I said to dawn, Be sudden; to eve, Be soon;
With thy young skyey blossoms heap me over
From this tremendous Lover!
Float thy vague veil about me, lest He see!
I tempted all His servitors, but to find
My own betrayal in their constancy,
In faith to Him their fickleness to me,
Their traitorous trueness, and their loyal deceit.
To all swift things for swiftness did I sue;
Clung to the whistling mane of every wind.
But whether they swept, smoothly fleet,
The long savannahs of the blue;
Or whether, Thunder-driven,
They clanged his chariot 'thwart a heaven
Plashy with flying lightnings round the spurn o' their feet--
Still with unhurrying chase,
And unperturbèd pace,
Deliberate speed, majestic instancy,
Came on the following Feet,
And a Voice above their beat--
"Naught shelters thee, who wilt not shelter Me."

I sought no more that after which I strayed
In face of man or maid;
But still within the little children's eyes
Seems something, something that replies;
They at least are for me, surely for me!
I turned me to them very wistfully;
But, just as their young eyes grew sudden fair
With dawning answers there,
Their angel plucked them from me by the hair.
"Come then, ye other children, Nature's--share
With me," said I, "your delicate fellowship;
Let me greet you lip to lip,
Let me twine with you caresses,
Wantoning
With our Lady-Mother's vagrant tresses'
Banqueting
With her in her wind-walled palace,
Underneath her azured daïs,
Quaffing, as your taintless way is,
From a chalice
Lucent-weeping out of the dayspring."
So it was done;
I in their delicate fellowship was one--
Drew the bolt of Nature's secrecies.
I knew all the swift importings
On the willful face of skies;
I knew how the clouds arise
Spumèd of the wild sea-snortings;
All that's born or dies
Rose and drooped with--made them shapers
Of mine own moods, or wailful or divine--
With them joyed and was bereaven.
I was heavy with the even,
When she lit her glimmering tapers
Round the day's dead sanctities.
I laughed in the morning's eyes.
I triumphed and I saddened with all weather,
Heaven and I wept together,
And its sweet tears were salt with mortal mine;
Against the red throb of its sunset-heart
I laid my own to beat,
And share commingling heat;
But not by that, by that, was eased my human smart.
In vain my tears were wet on Heaven's gray cheek.
For ah! we know not what each other says,
These things and I; in sound I speak--
Their sound is but their stir, they speak by silences.
Nature, poor stepdame, cannot slake my drouth;
Let her, if she would owe me,
Drop yon blue bosom-veil of sky, and show me
The breasts of her tenderness;
Never did any milk of hers once bless
My thirsting mouth.
Nigh and nigh draws the chase,
With unperturbèd pace,
Deliberate speed, majestic instancy;
And past those noisèd Feet
A voice comes yet more fleet--
"Lo naught contents thee, who content'st not Me."

Naked I wait Thy love's uplifted stroke!
My harness piece by piece Thou hast hewn from me,
And smitten me to my knee;
I am defenseless utterly.
I slept, methinks, and woke,
And, slowly gazing, find me stripped in sleep.
In the rash lustihead of my young powers,
I shook the pillaring hours
And pulled my life upon me; grimed with smears,
I stand amid the dust o' the mounded years--
My mangled youth lies dead beneath the heap.
My days have crackled and gone up in smoke,
Have puffed and burst as sun-starts on a stream.
Yea, faileth now even dream
The dreamer, and the lute the lutanist;
Even the linked fantasies, in whose blossomy twist
I swung the earth a trinket at my wrist,
Are yielding; cords of all too weak account
For earth with heavy griefs so overplussed.
Ah! is Thy love indeed
A weed, albeit amaranthine weed,
Suffering no flowers except its own to mount?
Ah! must--
Designer infinite!--
Ah! must Thou char the wood ere Thou canst limn with it?
My freshness spent its wavering shower i' the dust;
And now my heart is a broken fount,
Wherein tear-drippings stagnate, spilt down ever
From the dank thoughts that shiver
Upon the sighful branches of my mind.
Such is; what is to be?
The pulp so bitter, how shall taste the rind?
I dimly guess what Time in mist confounds;
Yet ever and anon a trumpet sounds
From the hid battlements of Eternity;
Those shaken mists a space unsettle, then
Round the half-glimpsed turrets slowly wash again.
But not ere him who summoneth
I first have seen, enwound
With blooming robes, purpureal, cypress-crowned;
His name I know, and what his trumpet saith.
Whether man's heart or life it be which yields
Thee harvest, must Thy harvest fields
Be dunged with rotten death?

Now of that long pursuit
Comes on at hand the bruit;
That Voice is round me like a bursting sea:
"And is thy earth so marred,
Shattered in shard on shard?
Lo, all things fly thee, for thou fliest Me!
Strange, piteous, futile thing,
Wherefore should any set thee love apart?
Seeing none but I makes much of naught," He said,
"And human love needs human meriting,
How hast thou merited--
Of all man's clotted clay the dingiest clot?
Alack, thou knowest not
How little worthy of any love thou art!
Whom wilt thou find to love ignoble thee
Save Me, save only Me?
All which I took from thee I did but take,
Not for thy harms.
But just that thou might'st seek it in my arms.
All which thy child's mistake
Fancies as lost, I have stored for the at home;
Rise, clasp My hand, and come!"

Halts by me that footfall;
Is my gloom, after all,
Shade of His hand, outstreched caressingly?
"Ah, fondest, blindest, weakest,
I am He Whom thou seekest!
Thou dravest love from thee, who dravest Me."


___________________

NOTES AND STUDY GUIDE
http://cummingsstudyguides.net/Guides3/hound.html

[Fancy]

My friend Rachel layin' it down... love this!! <3

[~baby~doll~]

In My Sky At Twilight

In my sky at twilight you are like a cloud
and your form and colour are the way I love them.
You are mine, mine, woman with sweet lips
and in your life my infinite dreams live.

The lamp of my soul dyes your feet,
the sour wine is sweeter on your lips,
oh reaper of my evening song,
how solitary dreams believe you to be mine!

You are mine, mine, I go shouting it to the afternoon's
wind, and the wind hauls on my widowed voice.
Huntress of the depth of my eyes, your plunder
stills your nocturnal regard as though it were water.

You are taken in the net of my music, my love,
and my nets of music are wide as the sky.
My soul is born on the shore of your eyes of mourning.
In your eyes of mourning the land of dreams begin.
Pablo Neruda