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Peter Matthiessen, Author and Naturalist, Is Dead at 86
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#2 | |
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I guess it's a bad week to be someone I idolize. Jesse Winchester has passed away at 69. Great songwriter. Wonderful man.
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#3 |
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OS ANGELES (AP) - Mickey Rooney's approach to life was simple: "Let's put on a show!" He spent nine decades doing it, on the big screen, on television, on stage and in his extravagant personal life.
Pint-sized, precocious, impish, irrepressible - perhaps hardy is the most-suitable adjective for Rooney, a perennial comeback artist whose early blockbuster success as the vexing but wholesome Andy Hardy and as Judy Garland's musical comrade in arms was bookended 70 years later with roles in "Night at the Museum" and "The Muppets." Rooney died Sunday at age 93 surrounded by family at his North Hollywood home. He was nominated for four Academy Awards over a four-decade span and received two special Oscars for film achievements, won an Emmy for his TV movie "Bill" and had a Tony nomination for his Broadway smash "Sugar Babies." A small man physically, Rooney was prodigious in talent, scope, ambition and appetite. He sang and danced, played roles both serious and silly, wrote memoirs, a novel, movie scripts and plays and married eight times , siring 11 children. After signing with MGM in 1934, Rooney landed his first big role playing Clark Gable's character as a boy in "Manhattan Melodrama." A year later, still only in his mid-teens, Rooney was doing Shakespeare, playing an exuberant Puck in Max Reinhardt's "A Midsummer Night's Dream," which also featured James Cagney and Olivia de Havilland. Rooney soon was earning $300 a week with featured roles in such films as "Riff Raff," ''Little Lord Fauntleroy," ''Captains Courageous" and "The Devil Is a Sissy." Then came Andy Hardy in the 1937 comedy "A Family Affair," a role he would reprise in 15 more feature films over the next two decades. Centered on a kindly small-town judge (Lionel Barrymore) who delivers character-building homilies to troublesome son Andy, it was pure corn, but it turned out to be golden corn for MGM, becoming a runaway success with audiences. Studio boss Louis B. Mayer saw "A Family Affair" as a template for a series of movies about a model American home. Cast changes followed, most notably with Lewis Stone replacing Barrymore in the sequels, but Rooney stayed on, his role built up until he became the focus of the films, which included "The Courtship of Andy Hardy," ''Andy Hardy's Double Life" and "Love Finds Andy Hardy," the latter featuring fellow child star Garland. He played a delinquent humbled by Spencer Tracy as Father Flanagan in 1938's "Boys Town" and Mark Twain's timeless scamp in 1939's "The Adventures of Huckleberry Finn." Rooney's peppy, all-American charm was never better matched than when he appeared opposite Garland in such films as "Babes on Broadway" and "Strike up the Band," musicals built around that "Let's put on a show" theme. One of them, 1939's "Babes in Arms," earned Rooney a best-actor Oscar nomination, a year after he received a special Oscar shared with Deanna Durbin for "bringing to the screen the spirit and personification of youth, and as juvenile players setting a high standard of ability and achievement." He earned another best-actor nomination for 1943's "The Human Comedy," adapted from William Saroyan's sentimental tale about small-town life during World War II. The performance was among Rooney's finest. "The Bold and the Brave," 1956 World War II drama, brought him an Oscar nomination as best supporting actor. But mostly, he played second leads in such films as "Off Limits" with Bob Hope, "The Bridges at Toko-Ri" with William Holden, and "Requiem for a Heavyweight" with Anthony Quinn. In the early 1960s, he had a wild turn in "Breakfast at Tiffany's" as Audrey Hepburn's bucktoothed Japanese neighbor, and he was among the fortune seekers in the all-star comedy "It's a Mad Mad Mad Mad World." Rooney's starring roles came in low-budget films such as "Drive a Crooked Road," ''The Atomic Kid," ''Platinum High School," ''The Twinkle in God's Eye" and "How to Stuff a Wild Bikini." He earned a fourth Oscar nomination, as supporting actor, for 1979's "Black Stallion," the same year he starred with Ann Miller in the Broadway revue "Sugar Babies," which brought him a Tony nomination and millions of dollars during his years with the show. In 1981 came his Emmy-winning performance as a disturbed man in "Bill." He found success with voice roles for animated films such as "The Fox and the Hound," ''The Care Bears Movie" and the blockbuster "Finding Nemo." Over the years, Rooney also made hundreds of appearances on TV talk and game shows, dramas and variety programs. He starred in three short-lived series: "The Mickey Rooney Show" (1954); "Mickey" (1964); and "One of the Boys" (1982). A co-star from "One of the Boys," Dana Carvey, later parodied Rooney on "Saturday Night Live," mocking him as a hopeless egomaniac who couldn't stop boasting he once was "the number one star ... IN THE WO-O-ORLD!" A lifelong storyteller, Rooney wrote two memoirs: "i.e., an Autobiography" published in 1965, and "Life Is Too Short," 1991. He also produced a novel about a child movie star, "The Search for Sonny Skies," in 1994. - See more at: http://www.legacy.com/ns/obituary.as....52AMqK7M.dpuf |
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R.I.P. Maya Angelou. You were a voice for many
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She was a gift and inspiration to many. I believe her works will be those that are past on from generation to generation.
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Still I Rise
Poems by Maya Angelou : 18 / 28 « Remembrance The Detached » Still I Rise You may write me down in history With your bitter, twisted lies, You may tread me in the very dirt But still, like dust, I'll rise. Does my sassiness upset you? Why are you beset with gloom? 'Cause I walk like I've got oil wells Pumping in my living room. Just like moons and like suns, With the certainty of tides, Just like hopes springing high, Still I'll rise. Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops. Weakened by my soulful cries. Does my haughtiness offend you? Don't you take it awful hard 'Cause I laugh like I've got gold mines Diggin' in my own back yard. You may shoot me with your words, You may cut me with your eyes, You may kill me with your hatefulness, But still, like air, I'll rise. Does my sexiness upset you? Does it come as a surprise That I dance like I've got diamonds At the meeting of my thighs? Out of the huts of history's shame I rise Up from a past that's rooted in pain I rise I'm a black ocean, leaping and wide, Welling and swelling I bear in the tide. Leaving behind nights of terror and fear I rise Into a daybreak that's wondrously clear I rise Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise I rise I rise. ~ Maya Angelou
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"To love a person is to learn the song that is in their heart and to sing it to them when they have forgotten it." "Never lie, steal, cheat, or drink. But if you must lie, lie in the arms of the one you love. If you must steal, steal away from bad company. If you must cheat, cheat death. And if you must drink, drink in the moments that take your breath away." My Pictures: https://picasaweb.google.com/115942843945062331510 My Blog: http://christhebutch.wordpress.com |
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Phenomenal Woman
BY MAYA ANGELOU Pretty women wonder where my secret lies. I’m not cute or built to suit a fashion model’s size But when I start to tell them, They think I’m telling lies. I say, It’s in the reach of my arms, The span of my hips, The stride of my step, The curl of my lips. I’m a woman Phenomenally. Phenomenal woman, That’s me. I walk into a room Just as cool as you please, And to a man, The fellows stand or Fall down on their knees. Then they swarm around me, A hive of honey bees. I say, It’s the fire in my eyes, And the flash of my teeth, The swing in my waist, And the joy in my feet. I’m a woman Phenomenally. Phenomenal woman, That’s me. Men themselves have wondered What they see in me. They try so much But they can’t touch My inner mystery. When I try to show them, They say they still can’t see. I say, It’s in the arch of my back, The sun of my smile, The ride of my breasts, The grace of my style. I’m a woman Phenomenally. Phenomenal woman, That’s me. Now you understand Just why my head’s not bowed. I don’t shout or jump about Or have to talk real loud. When you see me passing, It ought to make you proud. I say, It’s in the click of my heels, The bend of my hair, the palm of my hand, The need for my care. ’Cause I’m a woman Phenomenally. Phenomenal woman, That’s me. |
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Maya Angelou – Just For A Time
Oh how you used to walk With that insouciant smile I liked to hear you talk And your style Pleased me for a while. You were my early love New as a day breaking in Spring You were the image of Everything That caused me to sing. I don’t like reminiscing Nostalgia is not my forte I don’t spill tears On yesterday’s years But honesty makes me say, You were a precious pearl How I loved to see you shine, You were the perfect girl. And you were mine. For a time. For a time. Just for a time. |
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