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Well... kind of like Dorothy Lamour's sarong in her movies. That tropical garb was really big in the 30s and 40s. Speaking of Dorothy Lamour, see John Ford's The Hurricane if you can. Amazing effects for 1937 and a great movie. Takes place in Taihiti.
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#422 |
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![]() Good night Scout, good night Jem. —Atticus |
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#423 |
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![]() ![]() Enjoyed twice this week ... God bless my beautiful daughter turning me onto the older films that I would have never even thought to watch ... What a joy this one is. ![]()
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#424 |
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![]() Cavett and Hitch....
I saw this in the 70s and it was one of the best interviews ever. Not only was Hitchcock a genius on so many levels and he had a wicked sense of humor. In this segment Hitch talks about his brilliant special effects in Foreign Correspondant (4:00 in) and Psycho and a great story around 6:00 in. This excerpt includes a story behind Lifeboat and Hitch appearing in his movies (5:00 in). There's limited footage of the interview so enjoy. |
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#426 |
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![]() One of my favorites is Dorothy Malone.
Known for dramas and big technicolor melodramas like Lana Turner in the 1950s. Well...this is Dorothy early on in The Big Sleep with Bogart and Bacall. ![]() and then va va va voooom... Dorothy Malone at the height of her career after winning an Oscar for Best Supporting Actress in Written on The Wind in 1956 with Rock Hudson, Robert Stack and Lauren Bacall. ![]() ![]() I've been watching Dorothy Malone films all night on TCM and thought I'd pay a little tribute. Last edited by Jet; 12-07-2010 at 11:49 PM. |
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#427 |
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Great choice Jet,
This is one of my very favorite movies of all times, always makes me cry.(f)
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Yep...classy, elegant, simply Gorgeous and a pretty good actress too!
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Saratoga Trunk.
Not a great movie but I love to watch it whenever I can. I guess it's because it stars two of my favorite actors Beautiful Ingrid Bergman and Goregous Gary Cooper, I just love the interactions between them in this movie I think its the only one they made together, too bad... hope this link works.. . http://www.tcm.com/mediaroom/index/?cid=290807
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#430 | |
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![]() i just read this book:
![]() i had no idea until i ordered it for the library that there was any connection between one of my favorite moves and my VERY favorite kids' books!!! Cept now i am dying to watch the Eloise movies and they are all checked out
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#432 |
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![]() Judy Garland A Star is Born Summer Stock |
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#433 |
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I'm bumping this thread after creating it more than three years ago. Please see OP. And feel free to post on American film and British film classics which dominated Hollywood's studio era and post-studio, 30s through 70s. Mainstream films.
My latest view is Madame Bovary (1949 version) which belongs in this thread. |
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#434 |
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Scarlet Street, 1945 on tap for tonight with Edward G. Robinson. I'd have to say All My Sons, written by Arthur Miller, is a favorite in my top 10 of all time from Robinson and Burt Lancaster. Watched El Cid, 1961, which Martin Scorsese calls "one of the great epics of all time." Big epic, big color, photography and story and big stars of its time with Charlton Heston and Sophia Loren. Haven't seen it in years and it does a while to get through it.
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A Stolen Life (1946 Bette Davis)
All that Heaven Allows (1955 Rock Hudson) Black Widow (1954 Van Heflin) Crime of Passion (1957 Barbara Stanwyck) East Side, West Side (1949 Barbara Stanwyck) Harriet Craig (1950 Joan Crawford) In Name Only (1939 Cary Grant) In This Our Life (1942 Bette Davis) Laura (1944 Gene Tierney) Mildred Pierce (1945 Joan Crawford) Shadow of a Doubt (1943 Joseph Cotton) The Stranger (1946 Orson Wells |
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I totally agree, Myrna Loy is awesome and she has it all.
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The Women (Original Joan Crawford)
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Sunset Boulevard
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