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Old 05-17-2010, 09:07 PM   #1
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love the thread . some of my favorites:

It Happened One Night
Made For Each Other
Brief Encounter
The Long, Long Trailer
The Incredible Shrinking Man
The Children's Hour (love Shirley MacLaine)
The Birds
Tales From the Crypt (1972)
Alice Doesn't Live Here Anymore
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Old 05-17-2010, 09:59 PM   #2
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Welcome, Pilgrim, your search has ended!! Hope you enjoy your visits here, and reading the posts.

Ooops, you passed the mark with the 1972 flick tho, Maxxi. Please try to contain your choices up to 1970.

Love your choices. You already know how I feel about 'Brief Encounter'.


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Originally Posted by mxxi View Post
love the thread . some of my favorites:

It Happened One Night
Made For Each Other
Brief Encounter
The Long, Long Trailer
The Incredible Shrinking Man
The Children's Hour (love Shirley MacLaine)
The Birds
Tales From the Crypt (1972)
Alice Doesn't Live Here Anymore
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Old 05-17-2010, 10:02 PM   #3
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This one's for Lovely. A dual package for your love of music, musicals, and classic film - enjoy.

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Old 05-17-2010, 11:34 PM   #4
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Bergman...what can I say...he was just a genius, The greatest director ever, a real artist.
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Old 05-18-2010, 07:41 AM   #5
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Quote:
Originally Posted by cinderella View Post
This one's for Lovely. A dual package for your love of music, musicals, and classic film - enjoy.


Awww! Thank you!!! ((( Cinderella ))))

You know what occurred to me just now
while I was watching that clip?
The male actor was doing the "hands and steeple"
thing and as a kid growing up, I remember us
doing that very thing and I don't even know where
we learned it from! Apparently it came from this movie
and we mimicked what we saw other kids (or people)
doing? Cute clip to watch this morning!!!

*Thank you for leaving it here to watch!*
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Old 06-05-2010, 10:00 AM   #6
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Reminder
Natalie Wood month on TCM
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Old 06-05-2010, 11:31 AM   #7
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I love film noir, I have seen
Citizen Kane (1941) (rosebud) he hee
Maltese Falcon (1941) LOVE this movie
The Blue Dahlia (1946)
The Third Man (1949) Love this one too

Can anyone recommend any others? I understand the French were masterful with this genre but I am not really sure where to start.
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Old 06-05-2010, 03:46 PM   #8
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Quote:
Originally Posted by Venus007 View Post
I love film noir, I have seen
Citizen Kane (1941) (rosebud) he hee
Maltese Falcon (1941) LOVE this movie
The Blue Dahlia (1946)
The Third Man (1949) Love this one too

Can anyone recommend any others? I understand the French were masterful with this genre but I am not really sure where to start.
I'm not going to recommend for foreign films in light of the fact American cinema has such rich history. In fact, maybe there should be a different thread for foreign films. here are some films:

Laura
Double Indemnity
To Have and to Have Not
Martha Ivers
The File on Thelma Jorden
The Two Mrs. Carrolls

Classics to start with:
Letter to Three Wives
The Letter
Gentleman's Agreement
Witness for the Prosecution
Anatomy of a Murder
12 Angry Men
The Desperate Hours
The Paradine Case
The Spiral Staircase
Rebecca
Suspicion
Saboteur
Notorious
The Uninvited

I'm sure someone will come along and add more.
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Old 06-08-2010, 07:46 AM   #9
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75 long-lost silent movies being returned to US



AP – WELLINGTON, New Zealand – A cache of 75 long-lost silent films uncovered in the New Zealand Film Archive vault, including the only known copy of a drama by legendary director John Ford, is being sent back to the United States to be restored.


Among the movies found in storage are a copy of Ford's "Upstream," the earliest surviving movie by comic actor and director Mabel Normand and a period drama starring 1920s screen icon Clara Bow. Only 15 percent of the silent films made by Ford, who won four Oscars, have survived. New Zealand Minister for Arts, Culture and Heritage Christopher Finlayson said the find is important as there are no prints of the films remaining in the U.S.

"These important films will be preserved and made available to both U.S. and New Zealand audiences to enjoy," he told The New Zealand Herald newspaper Tuesday.


John Ford, 1942

Film Archive corporate services manager Steve Russell said the films were discovered when American preservationist Brian Meacham visited last year. Many of them remained in New Zealand because distributors at the time did not think the return shipping costs were worth the expense, he said.
"It's one of the rare cases where the tyranny of distance has worked in our and the films' favor," Russell said.

Finding "Upstream" was "a fabulous discovery, particularly for our American colleagues, but also for ourselves," he told The Associated Press.
Because they were printed on unstable and highly inflammable nitrate film stock, "there are very strict conditions when sending it by air," he added.
Returning the films will cost the U.S. National Film Preservation Foundation more than 750,000 New Zealand dollars ($500,000).

"We're having to ship in U.N.-approved steel barrels, a little bit at a time," said foundation director Annette Melville. "So far, we've got about one-third of the films, and preservation work has already begun on four titles."
"About a quarter of the films are in advanced nitrate decay, and the rest have good image quality, though they are badly shrunken," she added.
The late Ford's 1927 film "Upstream" was being copied onto safety stock in New Zealand to prevent further damage in transit.

The Academy of Motion Picture Arts and Sciences hopes to screen the restored Ford movie in September, Melville said.
Copies of the films are to be made available in New Zealand through the Film Archive, and Russell said he expected a "premier" showing of "Upstream" would be arranged at some point.

Russell said that New Zealand Film Archive does not own the recovered movies, which acquired them from private donors and collectors who "have all agreed the original archive material should be returned to the U.S. for preservation work to be done."

Similar film repatriations have occurred with Australian and European archives, including the return to Germany of a nitrate print of the Fritz Lang silent masterpiece "Metropolis" to help in restoring a print of the late 1920s original, he said.
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Old 06-08-2010, 08:03 AM   #10
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No comment on Marilyn.
Except...

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Old 06-08-2010, 09:50 AM   #11
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This is great news!! Hope TCM shows this soon.

Quote:
Originally Posted by Jet View Post
75 long-lost silent movies being returned to US



AP – WELLINGTON, New Zealand – A cache of 75 long-lost silent films uncovered in the New Zealand Film Archive vault, including the only known copy of a drama by legendary director John Ford, is being sent back to the United States to be restored.


Among the movies found in storage are a copy of Ford's "Upstream," the earliest surviving movie by comic actor and director Mabel Normand and a period drama starring 1920s screen icon Clara Bow. Only 15 percent of the silent films made by Ford, who won four Oscars, have survived. New Zealand Minister for Arts, Culture and Heritage Christopher Finlayson said the find is important as there are no prints of the films remaining in the U.S.

"These important films will be preserved and made available to both U.S. and New Zealand audiences to enjoy," he told The New Zealand Herald newspaper Tuesday.


John Ford, 1942

Film Archive corporate services manager Steve Russell said the films were discovered when American preservationist Brian Meacham visited last year. Many of them remained in New Zealand because distributors at the time did not think the return shipping costs were worth the expense, he said.
"It's one of the rare cases where the tyranny of distance has worked in our and the films' favor," Russell said.

Finding "Upstream" was "a fabulous discovery, particularly for our American colleagues, but also for ourselves," he told The Associated Press.
Because they were printed on unstable and highly inflammable nitrate film stock, "there are very strict conditions when sending it by air," he added.
Returning the films will cost the U.S. National Film Preservation Foundation more than 750,000 New Zealand dollars ($500,000).

"We're having to ship in U.N.-approved steel barrels, a little bit at a time," said foundation director Annette Melville. "So far, we've got about one-third of the films, and preservation work has already begun on four titles."
"About a quarter of the films are in advanced nitrate decay, and the rest have good image quality, though they are badly shrunken," she added.
The late Ford's 1927 film "Upstream" was being copied onto safety stock in New Zealand to prevent further damage in transit.

The Academy of Motion Picture Arts and Sciences hopes to screen the restored Ford movie in September, Melville said.
Copies of the films are to be made available in New Zealand through the Film Archive, and Russell said he expected a "premier" showing of "Upstream" would be arranged at some point.

Russell said that New Zealand Film Archive does not own the recovered movies, which acquired them from private donors and collectors who "have all agreed the original archive material should be returned to the U.S. for preservation work to be done."

Similar film repatriations have occurred with Australian and European archives, including the return to Germany of a nitrate print of the Fritz Lang silent masterpiece "Metropolis" to help in restoring a print of the late 1920s original, he said.
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Old 06-12-2010, 06:50 PM   #12
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This is great news!! Hope TCM shows this soon.
would someone kindly let me know if and when these will be aired on the telly? I don't have a subscription ... I go to theater or buy the films ... there are hundreds ... but I do wish to see these, and will go to a friend's house to do so.
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Old 06-12-2010, 07:06 PM   #13
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was Gloria Swanson supposed to be exaggerated? She gets on my last nerve even though I like Sunset Boulevard. What I like is William Holden, not her. is she supposed to be deliberate? or is that typical of Gloria Swanson?
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Old 06-12-2010, 11:38 PM   #14
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was Gloria Swanson supposed to be exaggerated? She gets on my last nerve even though I like Sunset Boulevard. What I like is William Holden, not her. is she supposed to be deliberate? or is that typical of Gloria Swanson?
I think that is how her barking madness showed itself plus Norma Desmond was a silent film actress and the overacting was part of it. (My theory on it at least)
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Old 06-13-2010, 12:25 AM   #15
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she certainly played a nutter in the film. her eyes were scary with madness.
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Old 06-13-2010, 09:29 AM   #16
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Venus, hi! So glad you're participating in the thread.

Sunset Boulevard is one of my favorite films too. I own the film, never fail to watch it on TCM when it's on, and have lost count of the times I've seen it - must be at least 100 times, and that's a modest number!! My favorite part - because it's so poignant, and she does it soooo well, is the part early in the film when William Holden is in her bedroom, and he recognizes her and says: "I know you. You're Norma Desmond. You used to be big." and she replys as the camera comes in for a close-up: "I AM BIG, it's the PICTURES that got small!!!" Wow, what a line!!! Love it!!!

I have read Gloria Swanson's biography, and have seen clips of vids where she's interviewed (you can prob find them on YouTube.com)

Gloria Swanson was an international MEGA film icon in her day. Anything she did or said, or wore (she was a clothes-horse!), was BIG NEWS. She received thousands of fan mail weekly (just like in Sunset - only the mail was not 'faked'), and had a staff just for handling fan mail.

She started out her movie career as a Max Sennet 'bathing beauty' around the age of 15. She was indeed a SUPER STAR during the silent film era, and those clips you see of her in Sunset Boulevard are from a big hit she made in the 20's called Queen Kelly. So the dipiction of her as a 'has-been' in Sunset, was not too far from the truth for many a silent film star.

However, Gloria Swanson made a very good transition to the 'talkies', and appeared in many films way after the silent film was 'dead'. She had a great speaking voice, so the talkies, if anything, enhanced her career. As you may know, the 'talkies' ruined many a career of the big stars of the silents. So Gloria knew first-hand' what the talkies were all about, because many of her movie star friends' careers were over when the talkies came to town. Everyone thought it was just a passing fad back then, but the talkies were here to stay.


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I think that is how her barking madness showed itself plus Norma Desmond was a silent film actress and the overacting was part of it. (My theory on it at least)
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Old 06-13-2010, 09:46 AM   #17
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No, my cinema comrade, Gloria was NOT like that. The exaggerated acting was indicative of the silent film era. Since there was no dialogue, emoting had to be very physical to show emotions. It had to be exaggerated so the public would 'know' what 'feelings' were being conveyed. (Also, in the silents, makeup tended to be very exaggerated as well. This also added to what sometimes appears as a bit grotesque or bizarre appearence of the characters.)That's why you see a lot of that in the silents. Some stars, i.e., Norma Shearer carried those exagerrated motions to the talking pictures. If you've seen The Women, you'll notice how she over-acts her role at times.

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was Gloria Swanson supposed to be exaggerated? She gets on my last nerve even though I like Sunset Boulevard. What I like is William Holden, not her. is she supposed to be deliberate? or is that typical of Gloria Swanson?
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Old 06-14-2010, 12:55 AM   #18
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Triple Feature!!

SUDDENLY
THE DESPERATE HOURS!
RANSOM
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Old 06-14-2010, 05:13 AM   #19
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WHEN???? Those are 3 great flicks, comrade!

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Triple Feature!!

SUDDENLY
THE DESPERATE HOURS!
RANSOM
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Old 06-29-2010, 06:29 PM   #20
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Triple Feature!

Ransom
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Ths Desperate Hours!
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