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Old 10-27-2011, 03:35 PM   #1
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What I find more amazing is the amount of people who proclaim they write poetry and don't actually read or listen to other people's poetry. In fact, a student recently told me that he not only didn't read/listen to other poetry but that he didn't need to. And here I thought we were all teachers and students, poets and readers, artists and audiences, changing roles in an interconnected universe.
this shocks me too. in art school, one of the worst adjectives you could hear at critique was "derivative." How can you avoid this if you have no idea what anyone else is doing?

another thing that shocks me is the perception of "self-expression" as being the purpose of art. Like, the "artist" feels that if they got their feelings out and onto the page/canvas/etc, the piece is successful- without considering whether there is anything for the viewer/reader to take away from their experience of it.

both of these are really good reasons to get schooling in your art, which does elevate you to elite status
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Old 10-27-2011, 03:55 PM   #2
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To have the time to write and try to publish poetry (which usually does not make much money) seems to kind of put it in a elite place.

Of course there are exceptions.

Not to have to go to work every day, take care of children and home, scamble to survive...would give way more time to spend writing poetry.
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Old 10-27-2011, 03:56 PM   #3
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Brilliantly said. Yes, I get tired or reincarnations of belly lint analysis. Show me something recklessly brave, different, and reaching and yet conscious of the web within which it weaves, and I'm in. Treat this like a personal therapy session with line breaks, and I'm outta here.

I compare jazz to so many things because it's such a beautiful, clear example. You imitate the greats. You memorize the chord changes, the riffs, the tempos. And you do this and do this. And then you do your thing. When did we ever stop believing we needed a deeper connection bigger than us and greater than us? If you act like you live in a vacuum or a void and that poetry, art and music didn't exist until you came along, why would I read, see or listen to your work?


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this shocks me too. in art school, one of the worst adjectives you could hear at critique was "derivative." How can you avoid this if you have no idea what anyone else is doing?

another thing that shocks me is the perception of "self-expression" as being the purpose of art. Like, the "artist" feels that if they got their feelings out and onto the page/canvas/etc, the piece is successful- without considering whether there is anything for the viewer/reader to take away from their experience of it.

both of these are really good reasons to get schooling in your art, which does elevate you to elite status
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Old 10-27-2011, 03:58 PM   #4
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Brilliantly said. Yes, I get tired or reincarnations of belly lint analysis. Show me something recklessly brave, different, and reaching and yet conscious of the web within which it weaves, and I'm in. Treat this like a personal therapy session with line breaks, and I'm outta here.

I compare jazz to so many things because it's such a beautiful, clear example. You imitate the greats. You memorize the chord changes, the riffs, the tempos. And you do this and do this. And then you do your thing. When did we ever stop believing we needed a deeper connection bigger than us and greater than us? If you act like you live in a vacuum or a void and that poetry, art and music didn't exist until you came along, why would I read, see or listen to your work?
The arrogance of youth!
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Old 10-27-2011, 04:00 PM   #5
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Treat this like a personal therapy session with line breaks, and I'm outta here.
not that therapy through creative expression isn't wooonderful! but you shouldn't try to get people to pay money for the product
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Old 10-27-2011, 09:01 PM   #6
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;-)

Hey, I'm ready to start a thread on "bad art." Laughing at it should be deeply therapeutic!


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not that therapy through creative expression isn't wooonderful! but you shouldn't try to get people to pay money for the product
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Old 10-28-2011, 08:00 AM   #7
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I know this is off subject, but it reminds me of the poetry I wrote in college....so filled with angst....throwing my pain on paper and expecting others to find it beautiful instead of highly disturbing. lol.

I am very interested to see where the thread goes and explore if poetry published more by elite classes becasue of time to write, accessibility and similar background as publishers or if there is another deeper reason.

I wonder how much powerful poetry never is published.

Here in Nashville the homesless and their advocates publish a newspaper they sell for money to survive. The poetry in those papers is every bit as powerful and more relevant than much of what I studied in college. Amazing really. Hopeful.
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Old 10-28-2011, 09:06 AM   #8
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Default The lives of poets

Poets and artists report from the edge, and often that's a pretty scary place to be. They are our sentinels. They go out into the emotional hinterlands and come back with some vision of what they saw and felt. They're never the same again nor are we.

What is more common than class is the presence of depression, bipolarity, ADD, and addiction. There is often a price to be paid for knowing and feeling too much.
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Old 10-28-2011, 09:12 AM   #9
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Poets and artists report from the edge, and often that's a pretty scary place to be. They are our sentinels. They go out into the emotional hinterlands and come back with some vision of what they saw and felt. They're never the same again nor are we.

What is more common that class is the presence of depression, bipolarity, ADD, and addiction. There is often a price to be paid for knowing and feeling too much.
I know I definitely write more whern I am depressed and back when I did lots of drugs. But I never do anything with it....too depressed.

Then when I feel better, there is life to lead.

PS, I love your post here. So incredibly on point.
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Old 10-28-2011, 10:37 AM   #10
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Poets and artists report from the edge, and often that's a pretty scary place to be. They are our sentinels. They go out into the emotional hinterlands and come back with some vision of what they saw and felt. They're never the same again nor are we.

What is more common than class is the presence of depression, bipolarity, ADD, and addiction. There is often a price to be paid for knowing and feeling too much.


this book includes a study of poets and suicide- very high numbers which get even higher when you include single car automobile accidents
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